78 Views
1
View In My Room
Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 2 D in
Ships in a Box
78 Views
1
There are not many insects that we can claim to be as loved as butterflies. Emblems of beauty and delicacy. The butterflies capture our imagination, satisfy our senses and are "bioindicators": their presence or absence is in fact an important sign of the health of an environment. Hermann Hesse used to say "you must be blind or extremely dry if you do not feel joy at the sight of a butterfly, a fragment of childish enchantment, a shiver of Goethean amazement". Non ci sono molti insetti che possiamo affermare di essere amati quanto le farfalle. Emblemi di bellezza,e delicatezza. Le farfalle catturano la nostra immaginazione,soddisfano i nostri sensi e sono dei "bioindicatori" la loro presenza o assenza rappresenta infatti un importante segnale dello stato di salute di un ambiente. Diceva Hermann Hesse " bisogna essere ciechi o estremamente aridi se alla vista di una farfalla non si prova una gioia,un frammento di fanciullesco incanto, un brivido dello stupore goethiano".
2018
Acrylic on Canvas
One-of-a-kind Artwork
39.4 W x 39.4 H x 2 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Massimo Campagna was born in 1966 in Naples, where he lives and works; attended the State Institute of Arts in Naples, where he graduated in painting. His artistic path begins in the ‘80s: as a student he lives and breathes art in the famous Lia Rumma Modern art gallery, where he could meet world famous artists. His post-impressionist works were coherent with the international forms of that period. He soon goes beyond the new informal research; the attention towards the world events pushes him to convert his thoughts and opinions about society into figurative language. His denounce through art becomes more tormented, the daily news take the spotlight: from the 2000s Campagna takes the cue from the current events, combining photography and painting. This last is the real subject of his work, that goes beyond figurativeness, almost up to the elimination of the first chromatic trace and the removal of the human figure.
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