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View in progress on the floor of "Impressions Organiques n°4".
Closeup details on "Impressions Organiques n°4".
Closeup details on "Impressions Organiques n°4".
Closeup details on "Impressions Organiques n°4".
Possibility to hang the work in a kakemono way with wooden sticks pinned on the top and the bottom. For more information ask me directly via a curator.
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"Impressions Organiques n°4" Painting

Marijah Bac Cam

France

Painting, Ink on Paper

Size: 39.4 W x 111 H x 0.1 D in

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$5,130

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122 Views
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Painting / Drawing on non woven paper 100 w x 250 h cm (39,97 w x 98,42 h in). 'Impressions Organiques n°4' is a long an expressive painting of bamboo leaves in figurative plan mixed with abstract layers. Realized in situ at my last exhibition "Impressions Organiques" at the return of my last journey in Thailand and Vietnam. I tried to bring on surface my memories of sensations of organic effects from the depth blending figuration and abstraction. +++ Advice: It is possible to frame the artwork or to pin it directly to the wall like a poster or even to paste it on a wooden panel which will then hang on the wall‌. The paper used is solid enough to be pasted. The installation of metal eyelets can also be a hanging solution. It is also possible to hang it like a kakemono (this option was chosen for my last exhibition, look at the additional photo detail and other artworks of the same series).

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:39.4 W x 111 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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