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Painting, Ink on Paper
Size: 39.4 W x 112.2 H x 0 D in
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Painting / Drawing on non woven paper 100 w x 285 h cm (39,97 w x 112,20 h in). 'Impressions Organiques n°5' is a long an expressive painting of calligraphic gesture and bamboo leaves in figurative plan mixed with abstract layers. Realized in situ at my last exhibition "Impressions Organiques" at the return of my last journey in Thailand and Vietnam. I tried to bring on surface my memories of sensations of organic effects from the depth blending figuration and abstraction. +++ Advice: It is possible to frame the artwork or to pin it directly to the wall like a poster or even to paste it on a wooden panel which will then hang on the wall. The paper used is solid enough to be pasted. The installation of metal eyelets can also be a hanging solution. It is also possible to hang it like a kakemono (this option was chosen for my last exhibition, look at the additional photo detail and other artworks of the same series).
Painting:Ink on Paper
Size:39.4 W x 112.2 H x 0 D in
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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