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"Inunct I" Painting

Widi Wardani, Indonesia

Painting, Acrylic on Canvas

23.6 W x 31.5 H in

Framed, Ready to Hang

$878

Shipping Included

14-day free returns

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In his work, Widi Wardani, known as Widwar, explores the concept of balance as the central theme of his artistic journey. Inspired by a spiritual reflection on Surah Al-Baqarah verse 216, Widwar encapsulates the harmony between positives and negatives in life, inviting viewers to approach life’s com...

Year Created:

2021

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 31.5 H x 2 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Indonesia.

Need more information?

Need more information?

Widi Wardani Purnama, also known as Widwar, is a young artist who earned a bachelor's degree in Fine Arts Education from UPI and then continued her studies at ITB's Master of Fine Arts program. In her artistic practice, Widi often raises themes that promote an understanding of relativity in a work of painting through the reading and re-examination of materials commonly used in painting itself. Her goal is to discover other possibilities that are different from the usual ones that can still be expressed in a work of painting. Widi's artistic understanding of relativity in paintings through his in-depth interpretation ultimately invites us, as audiences or painting practitioners, to think more broadly and without limitations in assessing and viewing paintings themselves. That today's paintings are not obsolete and still have the opportunity to be discussed.

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Erin Remington, Curatorial Director