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South Korea
Painting, Oil on Canvas
Size: 46 W x 31.4 H x 1 D in
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Looking at the paintings for a long time, William Turner's picture came to mind. The atmosphere resonating in the calm sea made me feel the solemn sublime. I try to exclude intentions and descriptions from my paintings. To create a completely different abstraction, you had to be unconscious. The beauty of this painting lies in a beautiful curved tornado. It has been carefully connected, dismantled, and reconnected. It wasn't too spontaneous.
Original Created:2020
Subjects:
AbstractPainting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:46 W x 31.4 H x 1 D in
Frame:Not Framed
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
Born in Seoul in 1979, I have been working in Korea ever since. I was influenced by Abstract Expressionism and Impressionism. Meditation and imagery are important, and human free will is the main concern. I have been interested in the dynamic expression methods of classical music and baroque, and recently I have been working on the predetermination or delimiting of a certain flow based on one's own pure decision. When I hear music, certain scenes and stories come to mind, and these are all human emotions that cannot be expressed in words. Sometimes sad, happy, and painful emotions become the subject of painting. However, I am not interested in arranging those emotions, I only want to show the combination and order of the form. When I paint, I try to create as many complex compositions as I can as good as I can by throwing colors around. What comes to mind at that time is very specific, such as the bridges and roads I saw in the city, the color of the roof, and the shape of the buildings. When I make such a complicated composition with colors, the colors start to move and start to get on the rhythm. I follow those moments and continue composing as if I was creating a chord using the most pleasing state possible.
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