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"Isle Of The Dead" Painting

Nikola Ivanovic

Serbia

Painting, Oil on Canvas

Size: 25.6 W x 15.7 H x 0.8 D in

Ships in a Box

This artwork is not for sale.

69 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The Painting takes its inspiration (and name) from a 19th century painting by Arnold Böcklin, a Swiss painter known for his atmospheric and moody works. My own work just wanted a simmilar atmosphere of abandonement (mine also doesn`t have figures, his does). His is probably based on a Greek Island c...

Year Created:

2021

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

25.6 W x 15.7 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Hi everybody! I`m a professional artist and art teacher with a lifelong passion for oil painting and all of its many possibilities. My work consists primarilly of Landscapes and still lives, as well as an occassional portrait or figure study, whenever an opportunity arises (models aren`t always easy to come by). I prefer working from life, whenever possible because the intensity of interaction and wealth of nuance given to the artist by witnessing his subjects up close and personal is sometimes diminished or even lost when using photographic reference. Sometimes I find my style difficult to define. I wouldn`t even call it a single way of approaching the task of painting. What i do with each individual piece depends largely on the subject matter. For landscapes, I am frequently interested in the partial dissolution of form in order to explore relations between coloured surfaces, searching for interesting colour harmonies. Nature is overflowing with opportunity for recording such harmonies as well as adjusting them to suit the overall feel of the work. I also have a bit of a musical background which I think influences the way in which I approach my painting, even though the connection might not be obvious at first, but its deffinitelly there. For still lives, the approach is quite different. I prefer accurate rendering and a high amount of detail. I love depicting old and worn objects which I sometimes associate with their previous owners.

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