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Painting, Acrylic on Wood
Size: 39.4 W x 39.4 H x 1.6 D in
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Piero Bortoli “Isola di San Lazzaro” 2013 Media: acrylic on board Size: 100x 100 cm Isola di San Lazzaro Even in 1185 the island, dedicated to Saint (Pope) Leo, was destined to be used as a hospital. It offered shelter to those with leprosy who were thought then to benefit from the sea air, and changed its name to Saint Lazarus, the leper in the gospel. The hospital was under the aegis of the Bishop of Castello until 1479, when the island was abandoned due to the diminishing number of cases of leprosy. In 1717 the island was donated to the Armenian followers of Mechitar, a priest and scholar, who found refuge from the Turks in Venice. The Armenians restored the monastery and in 1789 they set up a printing press which produced literature in almost all of the Eastern languages. The island was the only one to escape destruction by Napoleon at the beginning of the 1800s as it was considered a literary academy. Still today the church and monastery house illustrious works by Francesco Zugno, Sebastiano Ricci, P. Novelli and a painting by a young Tiepolo. One room is dedicated to Lord Byron, English poet, who spent quite some time there. The legendary printing press is still in use, producing publications about Venice as well as ancient texts.
Acrylic on Wood
One-of-a-kind Artwork
39.4 W x 39.4 H x 1.6 D in
Not Framed
Not applicable
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I was born in 1965 in Venice, where I studied History of Art and later trained with Emilio Vedova. I use a wide variety of materials and techniques to explore decline and regeneration within urban culture and make sense of the dynamic process of change and transformation within a variety of environments. I have shown my work in a wide variety of contexts: traditional solo and collective shows; indoor and outdoor performance and installation projects in collaboration with other artists and musicians: in particular, a performance at the 2001 Venice Biennale, the 2002 Liverpool Biennial, a series of shows at the Unity Theatre and Bluecoat Art Centre in Liverpool in 2004, Modern Art Oxford in 2008 and most recently a personal show at Taplow Court near Maidenhead. Most recently I have been focusing on private commissions, inviting people into my studio to see my work or taking my work onto the streets in interdisciplinary live performances.
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