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Painting, Acrylic on Hardboard

24 W x 24 H in

Ready to Hang

This artwork is not for sale.

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


I've long been intrigued by the symbolism of magpies as the 'Thief' and a bird of ill omen. I have to confess to being a magpie saluter - more out of habit than superstition, reciting the rhyme "one for sorrow, two for Joy..."

Year Created:

2021

Subject:

Mediums:

Painting, Acrylic on Hardboard

Rarity:

One-of-a-kind Artwork

Size:

24 W x 24 H x 2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Francis Kenney

About the Artist

Francis Kenney

United Kingdom

Francis Kenney (b. 1976) is a British fine artist and graphic designer.
Based in London, Francis has worked for over twenty years as an award-winning communication designer, type designer, and art director. He studied Graphic fine art in the 1990s at the University for the Creative Arts in Canterbury (formerly K.I.A.D), the University of Alberta in Edmonton, Canada, and Central Saint Martins in London. His work is held in the permanent collections of the Victoria and Albert Museum (V&A) in London and Tallinn University in Estonia, and he has exhibited internationally.

Love, Art, Life and Death: Francis riffs on the everyday. His work explores the meaning and interpretation of images, symbols, and language. Through objects and scenes, he constructs narratives that invite the viewer to reframe the ordinary as extraordinary, using humour and gentle aphorism to question how we each relate to the world around us.

Working across printmaking, painting, sculpture, and digital media, he creates art that speaks to human connection and the shared experience. By finding joy in the mundane, his work reminds us that— to misquote Jim Reeves—“now is all the time there may be.”

His recent works reinterpret symbolic vanitas and memento mori imagery, genres that gained popularity in the 17th century to remind viewers of their mortality in a deeply religious era. With a bright, often playful colour palette, these modern takes explore questions of existence and meaning at a time when we risk being overwhelmed by the trivial.

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