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"Japanese Vampire Cat" Painting

Glen Etzkorn

Painting, Acrylic on Other

36 W x 36 H in

This artwork is not for sale.

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Iota chases away evil spirit jumping over wall bothering the princess

Year Created:

2011

Subject:
Mediums:

Painting, Acrylic on Other

Rarity:

One-of-a-kind Artwork

Size:

36 W x 36 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

1949 Tiffin, Ohio

Apprentice to the father of colored Op Art - S.H.Rogoff who presented the double or reverse after-image in 1952 and corrected the errors associated to Simultaneous Contrast touted by Albers to redefine the issue with Simultaneous Presence.

One of the nicer honors given by his congressional representive was the comment that when they reorganized the color ordering of the Street and highway signs back in the early fifties was 'We will have saved a lot a lives'. I like reminding Hal by now the 'Lot of Lives' is much more like sn 'Enormous amount of Lives'.


Being trained under the artist who wrote the governing rules of the new american (Mid West) art form to be - op art - with his thesis 'Optical Illusion and Vibrational theory" Yale 1952, I was fully aware of the total failure to get a grip on the oddest of all colors Brown. I was also tasked to find a way to place in some proportional fashion more than two of the vibrational and illusional colors at a time. Knowing full well that the advance in color knowledge was a looking upon Native American color usage I chose to explore while at my task a recent archeological design dug up in the South American region. Hilariously the Archeologists to this date can't figure out what was going, as they fail to figure why the volutes are on those flutes or in the new recent digging how stupid they are to call the new temple 'The temple of the fire' without realizing that the ancient ones were tooting their flutes and flickering thier fires on this very first of all after-image systems composed of mutitude number of perceptual levels. Its like figuring these folks who often like using grant fundings from J Albers foundation are not very bright reciepients of too much good money wasted (except admittedly their profound and proper usage of shovels). But maybe some day when those folks look at the Ramondi Stone and they grip on great abstract artwork they might have a eureka moment and go oh they had the Pulfric effect thousand of years before some scientists in the 1800's could figure their buns from a hole in the ground.

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