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Art doesn't lie. It shows who I am. It shows the environment I was in when I was working on the art. That's why I'm careful about what kind of music I listen to.  I often choose jazz, especially Herbie Mann.

When my art mixes with jazz, the art becomes lighter, color becomes a little more vivid, and the center of gravity goes a little bit higher. I enjoy watching what music does to my art.

One of my concepts is "mixing" not just my art, but how I live. I mix many different painting materials. I often mix kids' art and my art to make an art. I live in a old Japanese traditional house which is unusual now days, but I use modern Electric machines for living.

Japanese art with jazz might sound strange, but it's actually matches one of my concepts. It shows who I am, and how I live.
Art doesn't lie. It shows who I am. It shows the environment I was in when I was working on the art. That's why I'm careful about what kind of music I listen to.  I often choose jazz, especially Herbie Mann.

When my art mixes with jazz, the art becomes lighter, color becomes a little more vivid, and the center of gravity goes a little bit higher. I enjoy watching what music does to my art.

One of my concepts is "mixing" not just my art, but how I live. I mix many different painting materials. I often mix kids' art and my art to make an art. I live in a old Japanese traditional house which is unusual now days, but I use modern Electric machines for living.

Japanese art with jazz might sound strange, but it's actually matches one of my concepts. It shows who I am, and how I live.
Art doesn't lie. It shows who I am. It shows the environment I was in when I was working on the art. That's why I'm careful about what kind of music I listen to.  I often choose jazz, especially Herbie Mann.

When my art mixes with jazz, the art becomes lighter, color becomes a little more vivid, and the center of gravity goes a little bit higher. I enjoy watching what music does to my art.

One of my concepts is "mixing" not just my art, but how I live. I mix many different painting materials. I often mix kids' art and my art to make an art. I live in a old Japanese traditional house which is unusual now days, but I use modern Electric machines for living.

Japanese art with jazz might sound strange, but it's actually matches one of my concepts. It shows who I am, and how I live.
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VIEW IN MY ROOM

Jazz Blue Painting

Naoko Benom-Miura

Japan

Painting, Acrylic on Paper

Size: 31 W x 42 H x 0.1 D in

Ships in a Crate

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SOLD
Originally listed for $1,880
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351 Views
46

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About The Artwork

Art doesn't lie. It shows who I am. It shows the environment I was in when I was working on the art. That's why I'm careful about what kind of music I listen to. I often choose jazz, especially Herbie Mann. When my art mixes with jazz, the art becomes lighter, color becomes a little more vivid, and the center of gravity goes a little bit higher. I enjoy watching what music does to my art. One of my concepts is "mixing" not just my art, but how I live. I mix many different painting materials. I often mix kids' art and my art to make an art. I live in a old Japanese traditional house which is unusual now days, but I use modern Electric machines for living. Japanese art with jazz might sound strange, but it's actually matches one of my concepts. It shows who I am, and how I live.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:31 W x 42 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

One day, when I was 8, I had to draw my mom as a homework assignment. After painting my mom's face. I worked on the background, adding bright red. Strangely, my mom's face looked like it shrank as I changed the background. I was shocked to see how colors change what we perceive in our minds and with our eyes. That was when I decided to become an artist. I worked on sketches, pencil drawings, and design all day from morning to night, and sometimes even in my dreams in order to enter an art college. i was able to enter art school in Tokyo, majoring in textile design, and stayed in Tokyo after college to work as a graphic designer. After 8 years of this hectic lifestyle, I felt like I was totally lost. I knew I needed to change everything right then. I chose to leave Japan, and went to Los Angeles, California, and then, to Eugene, Oregon, to work on my art and my life. I worked for a clay artist, and went to the University of Oregon to study more about art, design and English. Then, I worked at a design office as a graphic designer, and another company as a web designer. Now, I know what I was looking for when I was doing that. I was looking for the answer these questions. “What’s my relationship with design? What’s my relationship with art?” I was frustrated that I couldn’t get any answers. I began to think, “If there is a God of art, they must hate me! Fine! I hate them too!” I suffered through a year in which I could not create anything. I deeply realized I just have to keep creating art, otherwise I will be dead, even if the God of art hates me. In 2007, when I was working as a graphic designer, one of my clients misordered and gave me an illustration job, not a graphic design job. But, for some reason, I decided to take that job. That illustration job reminded me of the homework when I drew my mom back in elementary school. I felt like I finally found the answer that I was looking for the whole time! This is when I really started to be an illustrator and artist. After 9 years of living in America, I returned to Japan in 2008. In 2014, I opened an office/ workshop in a little port town in Fukuoka with people who work on town development and planning. I started to consider art from a social point of view. That was also a big turning point for me. In 2017, I started to take story classes with professor Minoru Meguro, learning the art of poetry and literature. I started to develop a broader love for the existence of art.

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