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Painting, Oil on Wood
Size: 13.1 W x 11 H x 1.3 D in
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254 Views
2
Artist featured in a collection
I found this amazing image, of a wildebeest jumping to escape attack from a predator, in a 60s book of photographs made in the Masai Mara, kenya. It feels timeless and joyous despite the animals desperation. I have had some sign writers bronze for a number of years and mixed with some PVA to make this piece of drift wood something more special. The parallels with religious icons, which use gold to donate importance and hierarchy, are obvious to me, but I never presume to imaging the viewer understands all my intentions. Using a simple palette I kept the painting loose, and used the show through of gold to add moulding. I hope it looks both primitive and new. The framing came about as I found and then sanded down an old oak frame, to find a lovely dark grain. I have subverted this with a punk fluorescent yellow which intentionally bleeds at the sides of the frame, see pics. There is no glass as I don't like the effect glass has on paintings. I hope that the dynamic of the wildebeests jump is augmented by the bright framing.
2017
Oil on Wood
One-of-a-kind Artwork
13.1 W x 11 H x 1.3 D in
Brown
Not applicable
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I make work about the division, opposition and collusion between animals and humans. Oil painting, drawing, assemblage, collage and the re-use of materials and objects are central to my work. Painting selected for the 171 RWA Open exhibition 2024, I won the Ovalhouse prize at Chelsea College of Art, and Gloucester University prize at the Open West. I was on the committee of the Newlyn Society of Artists for 6 years. I have exhibited in Berlin and Baku, Zdonov in the Czech Republic, London, Exeter and Birmingham and I am represented by Daisy Laing, Penzance. My work is in private collections in Hong Kong, USA, France, Italy, Germany and the UK.
Artist featured by Saatchi Art in a collection
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