VIEW IN MY ROOM
United States
Painting, Wood on Wood
Size: 48 W x 36 H x 1.5 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
FIRST IMPRESSIONS STAY FOREVER There can be nothing to equal the impact of the first Chevrolet Corvette Stingray which invoked high automotive passion in the 1963 car world. Fast Forward 60 years - and that initial fulmination has been recreated through the C8 Corvette. In a real way, the young woman's hand holding the key fob embraces the advent of sparkling technology, far surpassing the total computing power that took astronauts to the moon and back. No longer merely a mechanical scepter in the old fashioned sense of the word, but dimensionless transportation to an existing world – embracing one or more desires. She also points towards a future to continually remind the viewer that they, too, could be moving forward to exciting new worlds. WHAT YOU SEEK IS WHAT YOU SHALL GET This original painting is a voice which speaks what you wish to hear and see. Your own experience may become whatever your heart desires – from the person holding the key, to the car to which it pertains. Through this painting – or commissioned work - you will become the captain of your vessel set towards the goals you seek in the manner you want and the person you wish to be with.
Painting:Wood on Wood
Original:One-of-a-kind Artwork
Size:48 W x 36 H x 1.5 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Arthur Benjamins (St) Nbs. Born on June 22nd, 1953 in Rotterdam, Holland.Lived in Rhodesia for 6 years and in the UK for 40.. He has lived in Phoenix, Arizona, USA since 2014. Arthur Benjamins trademark photo-realism took hold in the early 1980s and his highly publicised motor racing, aviation and record breaking originals pioneered a style that has been mimicked by many other painters but never equalled.. At the end of the 20th century, he was ready for a fresh challenge and he turned towards a period of transition that would emerge with the new millennium. Unlike his fellow countryman, Piet Mondrian, who was a revisiting painter and would change a painting once or even several times, Benjamins proceeds to paint continual narratives. Every one of his paintings forms an opinion or a view of the subject that is portrayed. Benjamins states: "Once a sentence has been spoken, than those words cannot be recalled. That opinion, rhetoric or statement as flattering or hurtful as it may be, is set in stone. Every one of my paintings in sequence is a snapshot, a frame of a film or the lyrics of a ballad, which can never be undone" Over the centuries, the many styles of painting culminated in a myriad of genres of which many remained in obscurity but some prospered into modern day vernacular. The 1960s iconic Pop-art icon images from Andy Warhol and Jasper Johns covered a certain range, however, Benjamins work extends beyond those in where colour, composition and textures become part of the discovery processes where the multi-divergence of viewers explanations becomes obvious. He incorporates a far wider range of iconic images of which many are in the process of extending into, or are already well beyond the consideration of ephemera. His Benjaminsarian universe of choice and rendition of icons, the progression and regression of subject matter in two-and-three dimensions are an epicentre, wherein one moment, the raised surface or texture is used as a substrate, the next, as an underscore or shadow. His work encompasses strong, clear images that people can recognise and identify with. It is sharp, precise, strong in colour and surface. There is no evidence of painterly muddiness, no sentimentality, no trace of the painters doubting soul, trembling hand or lack of direction. Benjamins' jaw is set firm.
Artist featured by Saatchi Art in a collection
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