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From the very second I saw someone pouring beeswax into a cradled frame I have been absolutely obsessed with the medium.  With encaustics, I am able to express myself in ways that no other medium has allowed me to do.  I love the finished quality of the wax: it can have texture, yet be very smooth.  I can add transparent layers or very opaque.  I have learned to manipulate the medium in a way that allows me to work in absolutes harmony with it, allowing the wax to lead me down an ever evolving path.  Landscapes seem to emerge from my work.  Although I often have a plan and a color story when I start, I strive to allow intuition to take over and allow myself to simply be another tool in the process.  

With this piece, I wanted to move away from my comfortable "blues" and do something a little more bright.  The colors, although muted overall, contain the full spectrum.  I hope that the viewer will feel intense peacefulness while in it's presence.

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View In My Room

Keep the Light On Painting

Christy Branson

United States

Painting, beeswax on Wood

Size: 80 W x 36 H x 1 D in

Ships in a Crate

SOLD
Originally listed for $6,100

302 Views

14

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

From the very second I saw someone pouring beeswax into a cradled frame I have been absolutely obsessed with the medium. With encaustics, I am able to express myself in ways that no other medium has allowed me to do. I love the finished quality of the wax: it can have texture, yet be very smooth. I can add transparent layers or very opaque. I have learned to manipulate the medium in a way that allows me to work in absolutes harmony with it, allowing the wax to lead me down an ever evolving path. Landscapes seem to emerge from my work. Although I often have a plan and a color story when I start, I strive to allow intuition to take over and allow myself to simply be another tool in the process. With this piece, I wanted to move away from my comfortable "blues" and do something a little more bright. The colors, although muted overall, contain the full spectrum. I hope that the viewer will feel intense peacefulness while in it's presence.

DETAILS AND DIMENSIONS
Painting:

beeswax on Wood

Original:

One-of-a-kind Artwork

Size:

80 W x 36 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

“My work is all about process: the action of slowly adding thin layers of melted wax and pigment to a wood surface. I love the physicality of the process and my paintings are not as much “painted” as they are built. Built by the the process of laying down of wax, heating with fire, scraping away and repeating. Slowly, the paintings emerge, leaving behind a history of colors and marks made a long the way” -Christy Branson, Artist I often say that I must have been born with a crayon in my hand. Growing up in a low income family that moved a lot, I was often left to myself. Luckily, even at an early age I had an amazing capacity for creativity that has always been my constant source of comfort. Working my way through college I could never find anything else that felt more right to me than fine arts. I studied and explored all of the different mediums: pottery, sculpting, oils, watercolor and so on. I liked them all. It wasn’t until years later that I learned what encaustics were, that I fell in love with a medium. I knew I had to paint in wax. In 2013, quite by accident, I witnessed and artist melting chunks of wax with a strange tree resin on YouTube, of all places. I was immediately transfixed and knew that this is what I had to do. Ferociously learning everything that I could about this ancient art form, very naturally made everything in my creative life fall into place. Setting up an encaustic studio quickly followed. For me, the medium lends itself to what I have to say in a way that no other art form is able to do. I am heavily influenced by my environment and therefore landscapes tend to emerge frequently in my work. Being able to apply thin layers of wax, mark making and pigment allows for me to create an atmospheric quality to my paintings that draw the viewer into the luscious surface of the wax, only to discover a peaceful world that lies beneath. Today, I continue expanding the process and ‘making it my own’ by incorporating original techniques and my own ideas. My craft has never felt more right and I’m blessed to have found my artistic authenticity through wax.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, Chicago

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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