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Painting, Acrylic on Canvas
Size: 30 W x 36 H x 0.1 D in
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The artwork presents a striking portrait of a woman amidst peacocks and lush greenery. Her captivating expression features a serene yet intense gaze that draws viewers in, with warm tones highlighting her features against the cooler blues of the peacocks. The vibrant plumage of the peacocks infuses the composition with movement and life, their rich blues and greens harmonizing with the detailed foliage. The intricately rendered leaves frame the woman, enhancing the piece's natural theme. A deep, muted green background emphasizes the foreground figures. Overall, the painting beautifully blends nature and humanity, symbolizing a connection between the woman and the peacocks, representing beauty, grace, and a deeper spiritual bond with nature.
2024
Acrylic on Canvas
One-of-a-kind Artwork
30 W x 36 H x 0.1 D in
Not Framed
Yes
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
India.
Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
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Hi, I am Madhusudan Khandekar. I am a contemporary artist in Delhi, I have been professionally working since 1996. My artworks mainly focus on the theme of women. My medium is acrylic colors, and women's thoughts, dreams, love, and affection are all portrayed on my canvas. I have a strong inclination towards lines in my artworks, and the imprint of lines has been special. The chaos in my colors reflects the nature of a woman's mind. My style is creative, with a touch of fantasy art. My artworks adorn themselves with beauty, giving the audience a sense of joy. This has always been the goal of my art. Overall, my art showcases the harmony between nature and women. Express my thoughts through Paintings and Photography. I work in fantasy Art. I was born in 1976 in Parbatsar, Nagour (Rajasthan), India.
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