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Landscape of the mind 3 Painting

Linda Coppens


Painting, Oil on Wood

Size: 19.7 W x 19.7 H x 1.4 D in

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About The Artwork

Title: Landscape of the mind 3 Size: 50 x 50 cm | 19.7 x 19.7 in Sides: Midtone grey Mediums: Oil & cold wax on wooden panel, graphite, oil bars, pierre noir crayon, wax crayons Finish: Several clear wax layers to protect the painting and give it a soft mat finish Signature on the back, also signed Certificate of Authenticity Frame: Unframed, ready to hang as it is The painting has many layers of transparent and opaque paint and has a lot of depth and visual texture. The shapes and textures challenge the viewer's curiosity evoking a sense of adventure and discovery of peaceful and contemplative spaces but with deep and vibrant colors peeking through to invoke feelings of energy, liveliness, sparkle.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 1.4 D in

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Linda Coppens is a Belgian contemporary abstract painter. From an early age she demonstrated an innate artistic talent but could not pursue an art education at that time, instead she earned a Master in Psychology. But her interest in art remained and about twenty years later she pursued an art education at the Academy of Visual Arts in Liedekerke, Belgium. In 2020, she moved to Torrevieja, Spain, where she currently resides. In her colourful paintings she mobilizes colour, texture and gestural mark making as a structure for the creation of abstract compositions to evoke a sense of emotional balance in the viewer. Linda Coppens has exhibited extensively in Belgium, US, France and Luxembourg. Her art is found in many private collections worldwide. Using a mix of mediums that includes acrylic paint, oil and cold wax, I layer my mediums using non-traditional tools and techniques. My inspirations include the unexpected feelings and thoughts generated by poetry; the weather worn surfaces of derelict urban buildings; and the vibrant and bountiful visual world of nature. In order to evoke the various realms of human experience that inspire me, I surrender to process, allowing my paintings to manifest slowly according to their own rhythm and internal logic rather than planning my compositions in advance. Time is also an essential element in my work, as the numerous layers of paint can be read as records of the history of their own making.

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