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2
View In My Room
Painting, Pastel on Paper
Size: 23.6 W x 44.9 H x 0.1 D in
Ships in a Box
21 Views
2
Little Laviah has the most beautiful pink cheeks in the world, she loves cats, pink color and being pretty. There she is depicted at the busy and serious moment of making herself a pearl bracelet. There are abstract shapes and a mysterious skull above her because even in the safe haven of happy childhood danger is always lurking. I have used natural pigments like hibiscus tea and henna to achieve the greyish dark tones in the background, which are complemented with pastels and ink. The experience of model-artists relationship can be linked to the ancient tantric practice of eye gazing, which can be transformed into respectful attentiveness, benevolent contemplation of other person. The artist respects and distinguishes emotional and physical traits with admiration and care while depicting it. It can help at moments when the model feels insecure or depressed about his/her appearance (in cases of of illness or old age, for example). It serves as a tangible proof of person's outer and inner beauty because it is perceived and captured on paper. The long and painstaking painting process itself serves as proof of worthiness of a model: people in doubt receive an evidence of their value as human beings. “Do you see what I see?” I ask, while the model ponders at the drawing. The art of portrait is a symbiosis between the artist and the model. Skill is important on artist's side, and so is patience and trust of a model. In the times of countless selfies we all know our best angles and representative smiles, but the collaboration of artists and models has a different value, it shows every vulnerability of a person. The work is painted on 300 g/m² Arches watercolor paper and is not framed.
2022
Pastel on Paper
One-of-a-kind Artwork
23.6 W x 44.9 H x 0.1 D in
Not Framed
No
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Latvia.
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My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.
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