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Le Corps Humain n'est-il pas originellement plié Painting
France
Painting, Acrylic on Canvas
Size: 31.9 W x 39.4 H x 1.2 D in
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About The Artwork
Remi Delaplace is part of a research around a perfect visual balance, a perfect construction, a certain absolute. His practice of painting is intimately linked to the practice of dance improvisation. His work is crossed by themes: gravitation, trajectory, levitation, fall ... which come directly from "contact dance". It is about new ways of inhabiting the world, space. The issues of the event, of orientation, of the situation of bodies and objects are played out ”. In his paintings, he creates a spatiality that plays on the perception of near and far, the trajectories of bodies in space, the apprehension of the event. With this painting he addresses the relationship between painting and digital. The construction of the table is done from a sketch on 3D software.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:31.9 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
At the starting point of my work, my research was concerned with the space of sensations: understanding what is at stake between sensitivity emotion, feeling, senses, the body. A first axis of creation was a research into consciousness and particularly the concept of finiteness, which took shape under the headings "Dead body" and "Still Life". Another axis incorporates interiority and is entitled "Inside Outside". I question the boundaries, the boundaries between self and other, inside and outside. This is the body that I examined, feeling, mind. Sense of emotion and conscience lead me to expression by pictorial language in the moment: the here and now. To the expression of emotions are addes forms taken from the signs: feeling and mental processes are thus incorporated. I propose color, saturation as constituent elements of painting, expression of feeling. Rhythm and touch express emotion.
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