70 Views
3
View In My Room
Painting, Acrylic on Wood
Size: 46.1 W x 37.4 H x 0.8 D in
Ships in a Crate
Shipping included
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70 Views
3
I found the wood left on the street. The title is a word pun that jokes with the painting by Manet "Le Déjeuner sur l'herbe". Similarly to Manet's work, I also want to criticize the Western society which is increasingly oriented towards consumerism and destruction. "Breakfast on the grass" takes us back to a world of simplicity, silence and harmony with Nature. Expecilally now, with winds of war upsetting the planet, a flock of sheep is the most lifesaving aspiration we all should aspire to.
2019
Acrylic on Wood
One-of-a-kind Artwork
46.1 W x 37.4 H x 0.8 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Rome in 1965. My father, Sandro Lodolo, was a creative, graphic designer and director of television spots and themes, my mother, Isabella Fedeli, was a pop singer for RAI in the 60's. Graduated in scenic design at the Academy of Fine Arts in Rome, I started working in 1985 with my father, owner of Lodolofilm that from 1958 to 1968 had as a collaborator, the artist Pino Pascali on which, in 2012 I published the monograph "32 anni di vita circa. Pino Pascali raccontato da amici e collaboratori" (32 years of life, about. Pino Pascali told by friends and co-workers) (Carlo Cambi Editore, Poggibonsi). I always painted preferring conceptual themes with a style that remembers the "Scuola di Piazza del Popolo" to which belonged Pino Pascali, Mario Schifano, Franco Angeli and Tano Festa. Since some years I have concentrated my work on what I call "flocks": sheep and cars in traffic. The first, sheep, is a "good", white, natural flock; the second, cars, is an ugly, dirty, polluting "flock". The contrast between the "civilization" that advances with asphalt steps, and nature, more and more intimidated and limited in small non-urbanized areas, is the concept contained in my artistic production, through which I ask if the sheep are really more stupid, like the saying goes, then the humans who bury hectares of greenery under expanses of asphalt and concrete. About fifteen yeras ago, I moved from Rome to the countryside to have more space, sunset view from my windows and a direct contact with nature.
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