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Bear
Bear
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Left Around - Bear Seating on Wooden Chair in Beatiful Landscape Painting

Damian Kaliyeski

United States

Painting, Oil on Oil

Size: 50 W x 70 H x 1.5 D in

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$8,060

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ABOUT THE ARTWORK

This painting is rolled for easy storage and shipment, wooden stretcher bars are raped together. Re-stretching the painting can be done by any professional framer art restorer or Painter familiar with the process. Chaval constructs his images from a purely pictorial perspective, for painting is his only tool and resource to build his images and display his poetry: figures, landscape, and mood created with only brushes and color; in his work, even spills and blank spaces are eloquent, and they serve a good faith narrative and aesthetic. Light is also key, and the artist always portrays it as ideal, almost apocryphal: a light of dusk, flat, melancholic, the light that makes everything look golden and a bit more beautiful, precisely because it’s about to fade into darkness. Chaval prefers the unnerving, sardonic, subtly off-centered, in the midst of a reality that, while perfect, lurks menacing. Mariano Soto - Art Historian

DETAILS AND DIMENSIONS
Painting:

Oil on Oil

Original:

One-of-a-kind Artwork

Size:

50 W x 70 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My painting follows a realist approach, yet it is the imperfections that give it a spiritual character, revealing themselves through the color and the forms that emerge during the process. My style varies depending on the atmosphere I seek to express, an atmosphere that first takes shape in my mind before materializing in the work. I find inspiration in whatever uniquely captures my attention, as if it were an expression from beyond that needs to manifest itself in the material realm through me. I work with oil paint in a traditional manner, a technique that deeply connects me to my influences. My academic training, art restoration, and my constant engagement with 19th-century painting are fundamental pillars of my artistic practice. These experiences have not only enriched my technical toolkit but also represent an endless source of reference and inspiration.

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