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Painting, Acrylic on Wood
Size: 29.1 W x 22 H x 0.4 D in
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170 Views
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The works in this series, focus on the trace left by the impact due travel that composes a life, during all these years. His works also reveal the complexity of relationships between individuals, by social strata. These (our lives, our traces) intersect, divide but never mix them. Concrete example: ...
2017
Painting, Acrylic on Wood
One-of-a-kind Artwork
29.1 W x 22 H x 0.4 D in
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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In these times when everything is digitized, Stéphane PONTIé, a French painter in Géométrical Abstraction, works painting as a fundamental component of representation. He continues to take advantage of the high graphical potential of this medium by using all his "traditional" mechanics "At first, I painted an assemblage of geometric and colorful shapes, and that's it. To want a field of expression clear and simple to realize and understand, and by affinity for the angular forms, I finally banished all the curves of my work." I decided to codify these geometric shapes, depending on their use. I use angular geometric figures for replacing the figurative form of the people: - One geometric shape = one person. - One line (straight or broken) = the trajectory of one life, a path of someone. This is how i created my universe by the invention of a new graphical syntax. I decided to give a thickness to the lines, because I wanted to use the graphic representation of the line, to symbolize a trajectory, a life, a path ... And the question of the thickness of the line is asked. It seemed logical then to use numbers with "this strange alphabet" of geometric shapes, to obtain a complete and coherent linguistic base ... and to solve problems of thickness of lines. Suddenly, watching my phone keypad, i immediately saw 3 numbers appear in the middle of all these numbers. The 1, 4 and 7 are only "no curves" numbers. I push the "concept of angulosity" even further, and I use these numvers to create the geometric figures themselves and the thicknesses of the lines. And finally, i push the limits of my concept even further, since i use these three numbers to compose everything. Up to the size of the frames of my paintings: Example 77 x 77 or 117 x 77.
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