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A heavily worked contemporary portrait of a woman obscured by expressive painterly gestures.

Made using acrylic, marker pen, pen and correction fluid on 200 g/m2 gsm Favini paper. 

This particular series of paintings borrows something of the aesthetic often found in classic American films of the 1950's.

Like many of my paintings on paper this piece is crimpled and creased in parts due to being heavily worked. Please refer to detail images for a closer look

Signed, titled and dated on the front. Signed titled, dated and stamped on the reverse.
A heavily worked contemporary portrait of a woman obscured by expressive painterly gestures.

Made using acrylic, marker pen, pen and correction fluid on 200 g/m2 gsm Favini paper. 

This particular series of paintings borrows something of the aesthetic often found in classic American films of the 1950's.

Like many of my paintings on paper this piece is crimpled and creased in parts due to being heavily worked. Please refer to detail images for a closer look

Signed, titled and dated on the front. Signed titled, dated and stamped on the reverse.

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Listening - 2016

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Listening - 2016 Painting

Denholm Berry

Italy

Painting, Acrylic on Paper

Size: 19.7 W x 27.5 H x 0.1 D in

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About The Artwork

A heavily worked contemporary portrait of a woman obscured by expressive painterly gestures. Made using acrylic, marker pen, pen and correction fluid on 200 g/m2 gsm Favini paper.  This particular series of paintings borrows something of the aesthetic often found in classic American films of the 1950's. Like many of my paintings on paper this piece is crimpled and creased in parts due to being heavily worked. Please refer to detail images for a closer look Signed, titled and dated on the front. Signed titled, dated and stamped on the reverse.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:19.7 W x 27.5 H x 0.1 D in

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Milan-based British artist Denholm Berry approaches portraiture with an innovative and unconventional methodology. Blending psychological spaces with expressive physicality, the figures presented in the works are at once anonymous and inviting – emotions and identities are open to the viewer’s interpretation. “My hope is that, by filtering concepts in this unusual way, my obscurations will become paradoxically revealing.” Denholm’s unique artworks have been featured in many Saatchi Art collections and are held in private collections worldwide.

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