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Lying Blonde Painting

Nathan Coppedge

United States

Painting, Ink on Other

Size: 10 W x 14 H x 2 D in

Ships in a Crate

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This artwork is not for sale.
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About The Artwork

Approximately 10" X 14" Hangable, but not framed. This is highly original modern art, in the recent tradition of Hyper-Cubism. It depicts a blonde woman's face contorted with a lie. The googly eyes represent the mutual obfuscation of the liar and the person being lied to. In the foreground is a "blue devil," perhaps the reason that she lies. Circling from her mouth is a kind of wealth or exertion, which is her hair. The hair also takes the form of a foetus, perhaps a child she bears with the devil himself. This serves as an additional figure of the lie. The entire portrait represents a story which is both ambiguous and interesting, and almost completely a lie. The original piece is, well, original. There are also prints available.

Details & Dimensions

Painting:Ink on Other

Original:One-of-a-kind Artwork

Size:10 W x 14 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"A paragon of pure abstraction" "Locks together like a trap" I am looking for greater exposure for my 'abstract calligraphy'. The style combines M.C. Escher with Abstract Expressionism, evoking Kandinsky, Picasso, or something altogether new. Inspired by the Op-Artists, I use bold contrasts, whether my work is in color or black and white. Hyper-Cubism has many distinct sub-styles, which may be studied and collected for their special and unique properties: 'Ornate', 'Corrusque/Corruscated', 'Archetypal', 'Chinked/Chinque/Cubist', 'Interface', 'Bezel/Molten', 'Metaphysical', 'Extruded', and others. As an additional bonus, I have some evidence that my signature could have historical importance, due to my status as an philosophical author, inventor, and poet. I design my work to be highly collectible, and encourage my patrons to view my work as a 'readable' text, with psychological and even computational effects on perception.

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