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Maintaining the Façade Painting

Hamley Jenkins

United Kingdom

Painting, Acrylic on Canvas

Size: 16.9 W x 19.3 H x 1.6 D in

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About The Artwork

Inspired by Carl Jung, this painting is a wry look at how we all present a highly edited version of ourselves to the world; we whitewash over the aspects of ourselves that we fear others may not accept, but from behind this mask we continue to observe and modify the image of ourselves we project to others. The white paint is laid down with texture, recalling the feel of whitewash that has be layered up over the years. Splashes of colour are provided by several self-portraits featuring my old blue painting jacket and eye. The painting is uncluttered and brightly lit to represent the environment of the conscious mind ... one may imagine all sorts of clutter being hidden by the façade itself. The painting plays a game of depth, we are invited to believe the flatness of the wall interrupted by the figure on the ladder and the window to the world within. This painting is supplied in a tray frame with D-rings and picture string. It is signed on the front lower right of the canvas.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:16.9 W x 19.3 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Following on from her role as Roaming Sketch Artist for Wilderness Festival between 2014 and 2018, Hamley became the first official Artist in Residence for Jazz Live at the Crypt, an established jazz venue in South London and was recently selected as the Reserve Artist for the 2022 Sky Portrait Artist of the Year. Hamley's work has been selected for the ING Discerning Eye exhibition, the Lynn Painter-Stainer's Competition, the Dulwich Picture Gallery Open Exhibition and she is a Folio Society commissioned Illustrator. When working plein air Hamley uses medium that are easily transportable such as watercolour. The larger format paintings are executed in the studio with acrylics as they allow her to work quickly, add texture and create depth of colour with glazes and dry-brush techniques. Dali and Magritte made an impression on Hamley at an early age, also Rembrandt and Renoir, later Goya, Van Gogh, Gaugin, Turner, Duchamp, Magritte, Escher, Stanley Spencer, Hockney, Bacon and Frink, currently Bonnar, Seurat and Manet.

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