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Painting, Acrylic on Canvas
Size: 110 W x 160 H x 6 D in
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I've been using a lot of symbols that appear in my research and thoughts about Brazil and, usually in the colonialism dialectics. This painting contains fragments of majority narratives and unscrupulous speech from governments, and media to keep veiling those racism problems and the complex language of violence as Frantz Fanon precisely told us.
2020
Acrylic on Canvas
One-of-a-kind Artwork
110 W x 160 H x 6 D in
Brown
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Brazil.
Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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The words, with an excess of rhymes, gave me my first artistic expression, after the poems the drawings became more spicy and earned me suspension and shame. I disconnected from rhymes as a teenager, but I continued to love the compositions in the Caribbean island's revolutionary lyrics. This unsuspected path led me towards audiovisual, I fell into the creative department at MTV. Drawing gave me new impulses, but it was the films that carried me and, moving between directing and scriptwriting, I spent good years in this industry, helped to found a cooperative nucleus, and worked with legends like Roberto Farias (the one from the films starring Roberto Carlos) served Gerald Thomas in “A Circus of Kidneys and Livers", I watched young people more promising than me, many other directors and, unfortunately, just a few directors in hundreds of commercials for shampoo, fossil fuel cars, cell phones, and sneaker brands. Advertising provided the basis and a merciless desire to dive back into the authorial field. I wrote poems, and new stories, and created video art for shows by choreographers Lara Pinheiro and Gabi Gonçalves. Once again the drawings led me to paint and shape new materials and everything, or almost everything, seems to flow towards Brazil, the territory that I still discover from my interior, from my peripheral areas.
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