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Meltdown Painting

Ira Upin

United States

Painting, Oil on Wood

Size: 40 W x 34 H x 1.5 D in

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$8,000USD

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177 Views
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This painting is from a new series called TMTV (Too Much TV) - Modified Visions From the Tube started in 2019. I have always watched television (probably more than I should) since childhood in the ‘50’s and continuing today. Currently alive early in my 8th decade and still watching, at times I feel both guilty and engaged by what interests me while watching. Guilty because there is the criticism in our culture of it being a waste of valuable time, better spent on other things - yet engaging (especially now with the advent of hi-def flat screen technology) because of the visual, illuminated panoply of images that are constantly at our fingertips. So as I vegetate, in my overstuffed, upholstered, wide armed, living room chair, off to the left of my flatscreen, I started taking photos, with my phone, of images that peaked my interest. I find an endless stream of visual source material with an abundance of humor, pathos, sadness, danger, among many other human conditions presented in the programming and content available to be watched. I am using it to inspire my work. Once I choose a particular image, I then alter and/or add to it to create my paintings. I then decided to frame them in custom made wide format black frames to simulate the black of the TV screen. The painting is 18”x 24” while the overall framed size is 34”x 40”. I hope my time spent watching, gathering images and painting them results in time “well spent”. You be the judge.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:40 W x 34 H x 1.5 D in

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I was born in Chicago, IL USA in 1948, went to college in Illinois and Maryland and settled in Philadelphia, PA in 1973 and stayed. For 35 years I'd go back and forth between working at construction and working in my studio. At age 57 I decided to spend the rest of my time in the studio. The two constants in my work have been the narrative and the intensity of the visual. I want the viewer to be intoxicated and perplexed by how I make my paintings and intrigued by the stories I'm trying to tell. I'm interested in human dynamics whether they be social, political, or emotional. - In the end though it's about randomness and our inability to control that randomness. Things happen - anything can happen and we want somehow to control it, but we can't. Art is a good attempt at trying. - Fashion is ephemeral, so I never concern myself with what is fashionable, which in the end puts me in and out of fashion depending in what decade my work is being considered. I’ve been doing some version of the same thing for 50 years. - At the elemental level of life itself, if you stop and think, everything is essentially something we do to keep ourselves busy between birth and death. The in between is the variable from one person to the next. Are you decent, are you compassionate, do you seek truth and a clear understanding of reality? Those are the questions I ponder to justify my life and what I do with my time. 

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Brooklyn

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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