view additional image 1
View in a Room ArtworkView in a Room Background
"Memory's gloss. Gloss - Someone else's Ball", 2020, acrylic\monotype\brush\masking film\airbrush\, 70*70 cm.

The "Memory's Gloss" series of works is a documentation of the practice of remembering the root blocks of events from childhood. Moments that change the course of my perception of the outside world. The situation of the gap between "I" and "not me" “Someone else's Ball” is a gloss marking one of the first scenes which is stable in memory between 3 and 4 years of life.

The symbolism of this gloss extends beyond the limits of one event from (and) the life of a particular person, denoting various moments of self-identification as a process.
"Memory's gloss. Gloss - Someone else's Ball", 2020, acrylic\monotype\brush\masking film\airbrush\, 70*70 cm.

The "Memory's Gloss" series of works is a documentation of the practice of remembering the root blocks of events from childhood. Moments that change the course of my perception of the outside world. The situation of the gap between "I" and "not me" “Someone else's Ball” is a gloss marking one of the first scenes which is stable in memory between 3 and 4 years of life.

The symbolism of this gloss extends beyond the limits of one event from (and) the life of a particular person, denoting various moments of self-identification as a process.

35 Views

2

View In My Room

Memory's gloss. Gloss - Someone else's Ball Painting

Edgar Invoker

Russia

Painting, Acrylic on Canvas

Size: 27.6 W x 27.6 H x 1.2 D in

Ships in a Box

SOLD
Originally listed for $2,570

35 Views

2

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

"Memory's gloss. Gloss - Someone else's Ball", 2020, acrylic\monotype\brush\masking film\airbrush\, 70*70 cm. The "Memory's Gloss" series of works is a documentation of the practice of remembering the root blocks of events from childhood. Moments that change the course of my perception of the outside world. The situation of the gap between "I" and "not me" “Someone else's Ball” is a gloss marking one of the first scenes which is stable in memory between 3 and 4 years of life. The symbolism of this gloss extends beyond the limits of one event from (and) the life of a particular person, denoting various moments of self-identification as a process.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

27.6 W x 27.6 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Edgar Invoker - artist, working at the intersection of abstraction and surrealism, which is true not only in relation to his style of painting, but also relates to the topic of his research - lucid dreaming and change material states of consciousness at the time of the transition between sleep and wakefulness, condition of the paint and the various influences on it. Practicing techniques that promote lucid dreaming, the author fixes his experience and understanding in the form of pictures, which are a manifestation of a certain phenomenon, looking for a way of translation into the material world. Edgar's canvases are the fruit of studying the unconscious on the border with the physical and their subsequent synthesis into artistic forms. Dark symmetries, clearly reminding of Rorschach stains, mirror one another and show us a great lucid dream. The project is based on studying of subconscious mentations and interrelation with archetypical images. My task was to tune to given subject and to design the method of images' creation documenting these processes. Rorschach's theory was taken as the base for this method. In the concept of my project it is studying of interpretation of abstract images' system for concrete periods in the practice of working with subconsciousness. Working directly with material I was studying influence of conscious and subconscious motivations on micro-motions of the body in the process of making abstract forms. Here my research refers to Pollock's concept and his "action painting". In a sense I see the similar concept in ancient rites of prophecy, where the contact between a creator and a Repin State Academic Institute of Painting Sculpture and Achitecturemediator establishes the connection « subconsciousness - body». Translating the common sense into modern language I can say that the painter's (creator's) body passes the impulse to the material exposing inner work of subconsciousness in abstract form. Rorschach noted the connection between dreams and the images seen in the blots. In my case I use my blots to reveal images and to discover the direct connection with dreams. Here my role as a painter and as a mediator is to make a transparent image...like a spiritualist...to reveal it into our world. By creating a system: the paint, body and subconscious mind, I try to go on a layer of abstract perception of psychic phenomena.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands of 5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Global Selection of Emerging Art

Explore an unparalleled artwork selection by artists from around the world.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.