Mi Aguita (My Tiny Water) Painting

The individual actions performed by most of the members of the multitudes that dwell in Golubinsky´s artworks, promote a narrative structure based upon micro-stories. Sometimes, they disintegrate the declarative unit completely to project themselves in a myriad of isolated situations. In My tiny water (2012), this is clearly perceived. Here, the characters distribute on the surface of the fabric, located on small islands which provide them with a place of their own. On each of them, the most unequal actions are carried out: a couple kissing, a woman watering a miniature house, one sailor surrounded by boats and another looking through a spyglass, a fisherman pulling a fish from the water and putting it into the pan of a chef who inhabits another island, a little girl watching her reflection as a man is leaving his shadow. There is no way to establish an axis that unifies all these happenings. And, precisely, this is the proposal of the artist: offering a cosmology of beings and events that allow the viewer to create its own approach playfully to the artistic experience. However, through these images, Golubinsky´s authorial look slides, a look that provides discomfort, that is immersed in the depths, and which points at trouble spots. In Throw a life-buoy to me (2012), a large part of the fabric exhibits a car-race while in the lower right side sectors, the audience crowds together. But when seen up close, it is perceived that the public is not paying attention to the sports dispute. There is a naked woman and a man who seems to sing a serenade to her. Another woman is dancing some dance. There are couples kissing each other and a man who wields a club. There is even a bust of a hero, birds, dogs and other animals. A man surrounded by a life-buoy and located towards the middle of the left edge is staggering, while several people in the crowd seem to play with these saving gadgets. But nobody pays attention to the race. Something similar happens in The house is burning (2014). At the bottom of the painting, a group of people are looking forward or to the side in different attitudes. But nobody seems to see the magnificent fire of a village that is taking place behind their backs. They seem to be anesthetized, or lost, or indifferent. This response –or rather, this unresponsiveness- makes a comment on those who inhabit the world today, driven to become increasingly insensitive to the tragedies that multiply over the globe.

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:79 W x 75 H x 0.7 D in

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