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VIEW IN MY ROOM
VIEW IN MY ROOM
Painting, Oil on Canvas
Size: 47.2 W x 39.4 H x 1.1 D in
Ships in a Crate
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P r o c e s s: The underpainting is done with watercolour. This is really tricky for few reasons. It took me a considerable amount of time to work out the canvas maker that is suitable for the effect. For the paint to give me these beautiful semi translucent washes, the cotton has to be the right grain and correctly primed. The underpainting takes very little room for mistake and even now sometimes I scrap the canvas and start all over. There is very special fast drying medium used to cover delicate layers with the right amount of thin oil paint and to make the pigment more fade resistant and prevent from any yellowing. This stage is repeated many times to build the satisfactory depth. I then go with a tiny brush to go over the edges and borders, adding definition with acrylic. Final two - the signature, usually on the front (but some paintings I leave unsigned on the front till they are sold, so the buyer can cast his/her wish to see my surname on the front or back of the artwork). And [ta-ra!] the paper planes connected a thin thread which they tied up to each other or the clouds. S t o r y The Migration collection is intend to capture the subject of departure focusing on positive effects of separation, leaving, breaking ties. The paper airplane is a faceless portrait of a traveler, explorer and a pioneer. Object with simple light emotion bringing back the carefree childhood moments and playfulness. Imposing or sometimes enveloping this directive element with the clouds I strengthen the message to emphasise the scale of ever-changing terrain around us. The clouds are big and strong. Paper planes to the contrary — small and fragile. Not suppose to fly that far or high these little vessels, just like we are, found themselves redefining their limits. Also the detail that connects paper airplanes comes from my Connected series on paper. Visual form showing companionship is found in every journey we take. 120x100 cm / 47"x39" 2.86cm white edge Gloss varnish (gentle shine) to protect from UV, dust and scuffing. Mid grain cotton canvas only artist quality paints, mediums and varnish. shipped stretched ready to go on the wall out of the box any size open edition prints available to order . . I also actively work with interior and fit out designers, art consultants, advertising teams and happy to discuss specific project needs min size commission for my Cloudscapes series 100x100, max 120x150 a single piece [blue bays available in smaller sizes] Also I can arrange for the artwork to be professionally float/tray framed prior to shipping. Pls contact curators team for cost.
Painting:Oil on Canvas
Size:47.2 W x 39.4 H x 1.1 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Born and raised in a small oily town on the shores of the Caspian Sea, a promising art school graduate age 15, Yuliya pursued more practical direction of a legal profession as the art career was deemed as a destination to nowhere in a post soviet era. One law degree + MBA later, she joined the banking industry in Almaty then in 2005 moved to London where Yuliya spent further 10 years in energy and wealth management. In 2015 Yuliya has lost her interest in the corporate world and took her chances as a full time artist. Yuliya is a frequent participant of London art fairs, regular works with interior designers on luxury residential, cruise liners and hospitality projects and nurture plans to bring more work to the US in the upcoming years.
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