VIEW IN MY ROOM
Portugal
Painting, Acrylic on Wood
Size: 9.8 W x 11.8 H x 0.1 D in
Ships in a Box
A painting of a bed, which is taken from a sales pamphlet. Have I painted the bed or the printed material? The unfinished word "tranquil" hovers over the composition in heavily laid paint. The feathery leaves are painted in thick acrylic medium, and they stick off the surface, impasto style. The title refers to the economy and markets, without need, want and desire can a market exist? Is art a need, a want or a desire, or even all three? This painting on gesso covered mdf board can be framed or left self standing on a picture shelf, suggesting the printed material it was painted from.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:9.8 W x 11.8 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Portugal.
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Portugal
I am interested in exploring painting’s technical traditions to realise contemporary subjects. History, particularly the renaissance has always drawn a fascination, and being a British Emigrant and English teacher I have a passion for Shakespeare’s plays. Having been a web designer the visual culture of digital networks is an influence on my work. I am inspired by stylistic themes of glitching, pixelation, and error and attempt to infuse these in painting. Thinking about how painting functioned in history, and how other media do that work now, my motivation is to explore notions of power, identity and entropy. Through layering and experimentation, acrylic paint is pushed to simulate oil and create texture on the surface of the canvas. I am very much aware that a painting is not just an image on a screen but an object that gains its power by existing in the viewer’s temporal space. For me this is the unique power of painting, that a viewer can stand before an object and have a physical relationship to a fragment of the playground of the artist. PERSONAL HISTORY I studied fine art at the University of Central Lancashire. When I graduated the internet was just taking off. I pursued work in the digital sector and became a web-designer for some years. I then relocated to Lisbon for personal and professional reasons.
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