




Painting, Oil on Canvas
36 W x 48 H in
Ships in a Crate
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This is an original oil painting by Paul William of a building on Newbury Street in Boston, Massachusetts. ----- “Lighting effects impress us; more than any object represented as large we find to be beautiful. Masses impress us...the vast extent of the ocean; by the dark profundities of the forest...
Year Created:
2018
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
36 W x 48 H x 1.5 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.By day I’m a construction project manager and spend hours working on building projects in the Boston area. Through this process I get to know a building intimately working on it every day for months (or years) at a time. But even more influential is living and working in Boston which enables me to see the city over time, in all seasons, weather, and times of day. If a motif catches my eye I often go back to places numerous times to see various conditions that will allow me to capture the feeling that I would like to communicate.
Art, architecture, and building have always been a part of who I am. These paintings in this portfolio are studio works that came about after a period of time spent painting en plein air. I like to consider myself a direct observational painter (like my painting heroes George Nick and Christopher Chippendale), but in the winter of 2018 I fell and fractured my knee cap, limiting me to the studio rather than painting outdoors. I spent this time painting larger works over the course of days and weeks rather than a spurt of an hour or two en plein air. I was not happy about being stuck indoors at the time but the silver lining was that the work in the studio began to develop, the series grew and a body of work ready to show emerged.
The intent of my work is to ask the viewer questions. Who inhabits these spaces? What was Boston like when the building was constructed? It’s important to consider what we know about the modern world and then how these decades and centuries old buildings fit into our lives today, particularly if we want to make them last.
Recognition:
Artist featured in a collection
Sponsored

$3,100
→Suren Nersisyan, United States
Oil on Canvas
30 x 48 in
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