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Novus Belator, loose latin translation for 'New Warriors'. Two javelin Adidas tracksuited throwers striking a pose reminiscent of Italian renaissance battle murals. "Battle of San Romano" by Paolo Uccello is an example.

Painted in traditional oil paint on a stretched canvas. The flesh areas are loose oil washes with opaque pigment for the tracksuits etc. The work has been finished with protective varnish, this not only protects the painting but has a unifying effect. The work only needs framing to to make it ready to hang, or it can be hung frameless.
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Novus Belator Painting

Nicholas Robertson

United Kingdom

Painting, Oil on Canvas

Size: 25.2 W x 29.9 H x 1.2 D in

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About The Artwork

Novus Belator, loose latin translation for 'New Warriors'. Two javelin Adidas tracksuited throwers striking a pose reminiscent of Italian renaissance battle murals. "Battle of San Romano" by Paolo Uccello is an example. Painted in traditional oil paint on a stretched canvas. The flesh areas are loose oil washes with opaque pigment for the tracksuits etc. The work has bleed areas around the heads which is intentional. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. The work only needs framing with a suggested frame width of at least 70mm or more for this size painting to make it ready to hang, or it can be hung frameless.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:25.2 W x 29.9 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.

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