view additional image 1
View in a Room ArtworkView in a Room Background
I came upon the idea by taking 4 different photos by Edward Weston and modified them via Photoshop. I played around with various colour moods and changed positions. The photo of the nude girl reclining in the Californian desert was taken in 1936. I liked the idea of turning a normal image into distorting features, thus still being an erotic approach.
I came upon the idea by taking 4 different photos by Edward Weston and modified them via Photoshop. I played around with various colour moods and changed positions. The photo of the nude girl reclining in the Californian desert was taken in 1936. I liked the idea of turning a normal image into distorting features, thus still being an erotic approach.
I came upon the idea by taking 4 different photos by Edward Weston and modified them via Photoshop. I played around with various colour moods and changed positions. The photo of the nude girl reclining in the Californian desert was taken in 1936. I liked the idea of turning a normal image into distorting features, thus still being an erotic approach.
I came upon the idea by taking 4 different photos by Edward Weston and modified them via Photoshop. I played around with various colour moods and changed positions. The photo of the nude girl reclining in the Californian desert was taken in 1936. I liked the idea of turning a normal image into distorting features, thus still being an erotic approach.
I came upon the idea by taking 4 different photos by Edward Weston and modified them via Photoshop. I played around with various colour moods and changed positions. The photo of the nude girl reclining in the Californian desert was taken in 1936. I liked the idea of turning a normal image into distorting features, thus still being an erotic approach.
281 Views
4

VIEW IN MY ROOM

Nude Stranded Painting

Benjamin Ortleb

Germany

Painting, Oil on Canvas

Size: 62 W x 41 H x 0.6 D in

Ships in a Crate

info-circle
$2,420USD

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
281 Views
4

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

I came upon the idea by taking 4 different photos by Edward Weston and modified them via Photoshop. I played around with various colour moods and changed positions. The photo of the nude girl reclining in the Californian desert was taken in 1936. I liked the idea of turning a normal image into distorting features, thus still being an erotic approach.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:62 W x 41 H x 0.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in 1965 in Berlin. At the age of 15 I started painting seriously and had my first exhibition two years later in the Berliner Philharmonie. I went to nude painting in class of Andre Bednarczik in Berlin, spent a month in Salzburg at the Sommerakademie to start lithography, graduated as a graphic-designer in 1991, became a webmaster in 2000 and made my MA at the University of the Arts in Berlin ("Institute of Art in Context). Since 1998 Im also working as an art-workshop teacher in private schools and youth facilites. I am a member of the Japan-Germany Contemporary Fine Arts Exchange Association led by Sohachi Shimomisse in Kyoto and also of the BVBK (Brandenburger Verband Bildender Knstler)I live and work as an Art teacher, freelance artist, graphic/webdesigner and musician in Kleinmachnow, Brandenburg Germany.The year of generating images on the computer was the initial spark to use them as templates for large scale paintings. What Im using now are stills, fragments and press photos from newspapers, books and movies. The conceptual idea is to take a closer look on violence and catastrophes and transfer them into a new aesthetic surrounding where the actual scenes of horror and fear are mixed with fascination. Changes in colour, partly achieved through polarized effects, gradations, complementary colours and shades of monochromes, give way to emphasize the relation between content und realities.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support