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Odem Forest Painting
Israel
Painting, Oil on Canvas
Size: 49 W x 64 H x 1.5 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
About The Artwork
\Odem Forest- The painting began in 2018, I have maintained its freshness all these years. I promoted the painting in a gentle and meditative way. The painting is in oil paints, on a wooden frame. The painting is ready to hang. The paintings materialize based on the experience of drawing on canvas in plein air. The process continued later in my studio, where the painting went through a constructive paintbrush stage. It began with observations in nature, through the process of deconstruction and disassembly of the images, step by step. The painted landscape is severed from the original geographical setting and in this process of destruction and neutralization of the initial site, something different is formed. One can find a reference to the landscape - the horizon line, the sky and the earth - but the painting cannot be grasped and it remains open to interpretation. The viewer encounters a wide range of brush strokes and colors, dots and lines forming a lucid context. The painting stretches from right to left, up and down, inside and out, without any coherence, going through a universal experience of eternal existence, endlessness, life and death, tranquility and compassion - all of which rely on the reference to the landscape
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:49 W x 64 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Israel.
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Israel
Zohar Cohen, born in 1969, is a painter who creates large canvases of color that are connected by a color vibration that exists between one stroke of paint and another. He uses small, dense strokes of color to create layers of light and mood. Zohar hints at the sources of his work through the names of the pieces, such as the Kigali series which he started during his stay in Rwanda. Zohar's journey begins with a pictorial idea based on a geographical location. He observes lines and spots created directly on the canvas. The main idea is preserved in the studio, but there is a process of disconnection from the geographical place, and while destroying and neutralizing something else is created. The viewer can experience the painting in two ways. They can focus on molecular units, like looking through a microscope at items that form a uniform, sensual, and abstract fabric. Alternatively, they can observe from a distance and experience a struggle. Zohar's harmonious coloring is calculated in an almost scientific way, where dots, lines, painted stripes, everything is woven into the fabric of the painting, creating a uniform work of art that is linked deeply to reality. Over the years, Zohar created a series of interiors, in which there is a figure in the room, like a sort of focal point, with ripples of color bursting from the outside and disturbing the inside of the painting
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