




Painting, Acrylic on Paper
29 W x 43 H in
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This captivating original artwork invites contemplation through its abstract exploration of reality and transformation. Created using acrylics on paper, this piece showcases Fred Michiels' principle of visual sincerity, where luminous strokes dance across the surface. The monotype technique lends a ...
2025
Painting, Acrylic on Paper
One-of-a-kind Artwork
29 W x 43 H x 0.1 D in
No
Not Framed
Certificate is Included
Ships Rolled in a Tube
Shipping is included in price.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Belgium.
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Belgium
Illegal or "bootleg" paintings on official documents. For Fred Michiels, painting is not a hostile act fueled by color. No matter how many (nonexistent) laws and regulations are violated, painting is still the hero of his story. Michiels is preparing an exhibition featuring urgent and often uncomfortable aesthetics on official documents. He jokingly calls them "bootleg" paintings, because formal experiments are not allowed on official documents. He calls these painted maneuvers "tactical" and "non-risk-averse." Michiels has been collecting old books and magazines for years. The forms he uses in this series are based on images in (automotive) technical magazines from the 1950s and 1960s. The Office of Useless Art will produce a publication for the opening on Friday, September 11th, at the small museum in Nismes, on the border with France. A booklet made up of "spare parts," all found in those automotive magazines. A booklet, too, about controlled derailments. It's an ironic, inventive decision by Michiels to import shapes into his paintings whose appearance precisely expresses their intended purpose, and whose color isn't neutral.
Artist featured by Saatchi Art in a collection
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