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On the road at night Painting

Susanne Haun

Germany

Painting, Acrylic on Canvas

Size: 31.5 W x 39.4 H x 0.6 D in

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About The Artwork

In our imagination, the figures of our nightmares wake up at night. Haun paints them in bright red colors. A woman of darkness looks at us from the painting. At first glance, it is not clear to the viewer whether they should feel fear or desire. The woman is injured, she has scars on her body. Words tattooed on the forehead that tell of a deadline make us shudder. What deadline is meant here? Is she a vampire, doomed to sink her teeth into people's throats at night, or a whore, or just human? Time flies in the hourglass. Haun contrasts the pure color with the broken gray of the night. This makes the red tones glow. Lines of ink cut through the body and the night like blows of a sword.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 39.4 H x 0.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work as an artist is like an additional sense organ for me. Until a complete statement desired by me emerges, I design and discard ideas in my head. Art is my language, my exchange with the environment, the way to make my ideas visible. As materials for my drawings I use ink and steel / drawing pens and brushes on handmade paper, canvas and glass. I work serially and project-based. I am interested in the passage of time, which I document in my blog (www.susannehaun.com), which I fill since March 2009 almost daily with words and images. For my large-format canvases, I use acrylic paints and oil crayons in addition to ink. Most often I present my up to 4 meters long and 2 meters wide canvases without stretcher as flags painted on both sides in the room, gladly the artworks may lie completely or partially on the floor. When I read, images arise in my head, which I convert into paintings. Smaller ink drawings I bundle in artist unique books. Nature inspires me: I immediately see the lines and surfaces when I look at them. In color charts I consider the coordination of color for my paintings. The contrast and ink applied with brush and pen on an acrylic background is one of my favorite pictorial elements. In my work I am as minimalist as necessary. For many artists, the creative process stops after the individual work is created. For me, the process continues when the art is assembled and presented. It is in the interaction with the audience that the art begins to live and work for me.

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