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One stripe, For Rothko Painting

William Watkin

United Kingdom

Painting, Acrylic on Canvas

Size: 23.6 W x 19.7 H x 0.6 D in

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$330

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ABOUT THE ARTWORK

This presents an exclusive opportunity to acquire a world-class scrape painting at an entry-level price, boasting impeccable provenance that not only enhances your initial investment but also promises immense pleasure. Watkins, the artist, has gained recognition with his work already gracing the private collections of writers, thinkers, performers, and creatives globally. As a world-renowned intellectual with a substantial following, his pieces have historically been acquired through word-of-mouth within close circles. Saatchi stands as the sole platform offering his canvases to the general collector. Each painting is signed and dated, and as a special bonus, it includes a complimentary 40x30cm acrylic on paper maquette—a preparatory work for the final version valued at $100. Crafted from multiple layers of acrylic paint applied over extended periods, some spanning years, these canvases showcase Watkins' unique approach to scrape painting. Utilizing hand-made paddles, squeegees, and tilers' notched tools, he introduces striped and checked effects in the initial layer, influencing the subsequent scraping process to yield textures and effects that are genuinely distinctive. The paint engages with the surface, creating captivating jags, flurries, and cloudlike formations, often stemming from the aggressive scraping during intense wet-on-wet sessions. The end result is a surface characterized by incredible complexity and subtlety, captivating edges, and a palpable sense of rhythm and harmony. Furthermore, the artistic technique employed by Watkins draws inspiration from the renowned figures Gerhard Richter, Mark Rothko, Monet, and Turner, adding an additional layer of artistic influence and depth to these exceptional pieces.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

23.6 W x 19.7 H x 0.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

William Watkin, an Oxford/London-based abstract painter, was born in 1970 in Stoke-on-Trent in the North of England. He began painting in his late forties and only began to exhibit and sell his work in the spring of 2023. He is entirely self-taught. William is a well-known philosopher and theorist, and his painting practice carries on some of his innovative ideas around abstraction and perception in a more material, intuitive fashion. William’s work is dominated by bright colours, thick textural paint, intricate process, and abstract forms. His canvases are intense and dynamic explorations of colour, gesture, surface, and texture through the use of stripes. His work is concerned with materiality, process, and thinking abstraction through geometric grids and complex colour combinations. Yet, most of all, they are joyful, detailed, tactile, surprising, multi-hued explosions of paint, kept in check with the strict forms of stripes, crosshatches, lozenges, squares, diagonals, and the occasional circle. “My art reflects the two sides of my personality,” he says. “The logical side, stripes, process, panning, and the spontaneous side, expressiveness, gesture, freedom. That’s why I call my process crosshatch expressionism”. William has been painting for just over half a decade and his work only came to market in May 2023. Since then there has been great demand for his paintings, especially after his first solo show in May 2024 “Scrapes & Stripes” in the new art space “The Old Piggery” (Oxfordshire). During those first 12 months William sold over 300 pieces from tiny, but gorgeous, works on paper, to the new, large-scale crosshatch works which are selling globally as fast as he can make them. His work is already collected internationally in America, and Germany in particular, and is part of the private collection of several notable writers, thinkers and creative practitioners in the UK. People have been particularly fascinated with William’s innovative crosshatch expressionism process. Using scraping techniques, he learnt from watching videos of Gerhard Richter, he uses large paddles to add layers of stripes of paint in various thicknesses and in different directions. Then he uses notched paddles and other tools to scrape off, or cut, stripes of paint to reveal layers below.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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