VIEW IN MY ROOM
Canada
Painting, Acrylic on Wood
Size: 48 W x 48 H x 1.5 D in
Ships in a Crate
This white monochrome painting was the largest to date as a purely non-objective design gouged into plywood revealing a wood grain background. In the same way Marcel Duchamp would choose ready-mades for artwork, I chose a distinct and anonymous 2D design which I purloined as my own. The plywood was routered, scorched and wire brushed to prepare the surface for shellac, then paint. This created a bas-relief substrate and purely acrylic painting with negative space relying on shadows. I felt this artwork was my counterpoint to Kazimir Malevich's White on White (1918) realized through deconstructive events as described by Jacques Derrida. This monochrome painting led me to even more novel solutions for white on white paintings after the famed Suprematist painter Kazimir Malevich that were never tried before to the best of my knowledge. I was also influenced by the well known Canadian representational gouged plywood painter Paterson Ewen who did not cross over to monochrome, abstract or op art in his art practice.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:48 W x 48 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
GOOGLE LINK TO FLICKR ALBUMS: https://www.flickr.com/photos/188681981@N03/albums//////////////////////////////////////////////////////////////////////////////////// I've described my work as deconstructivist painting after reading Jacques Derrida's book The Truth in Painting (1987). Those ideas persuaded me to attend the University of Victoria where I earned my BFA (Hons) by 1992. The target was to develop a symbolic metalanguage to facilitate deconstructive events while perusing the ideas of painting in Western art history. I have expressed myself conceptually through gouged plywood painting, encaustic painting, kinetic painting, glitter painting, nano painting and pure substrateless painting in a style I think of as reductive but thoughtful.
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