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Painting, Oil on Canvas
Size: 35.4 W x 27.6 H x 2 D in
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La pintura fue creada para una exposición colectiva que recogía las obras de diferentes artistas yucatecos alrededor de la temática relacionada con el festival de la vida, como una respuesta pro positiva ante actual mundo asfixiante y las circunstancias aparentemente poco prometedoras y desafiantes. Y sin embargo, para mi, pensar el mundo mágico, maravilloso y vivir en una ensoñación rosada, definitivamente implica una actitud de crear burbujas; anestesiarnos ante la realidad dolorosa. Son esas fugas disociativas, es evadir la realidad; soltar pájaros al viento. Quisiera que los pájaros no mueran. Quisiera que la paloma que chocó contra mi ventanal siguiera viva. Quisiera alejar la muerte y el sufrimiento. Hago mis rituales y conjuros para calmar el dolor que nos desgarra. Su muerte de la paloma no fue en vano. Se la prometí mientras expiraba. El proyecto es una investigación a través del arte que busca generar un análisis reflexivo-visual donde el proceso creativo tiene su importancia, basándome en las observaciones, experimentando y conceptualizando (pensar haciendo). Imágenes alegóricas de las aves urbanas en una composición surreal, inspirada por los colores acentuados por la luz yucateca que pinté como un tipo del ritual para festejar la vida y respetar la muerte, también aquella silenciosa y anónima de los seres del fondo del paisaje urbano. Una conversació́n a través del arte; también es un ensayo de algo que podría ocurrir, sensibilidad a la mirada de los pájaros que genera las ideas multiplicando mundos para volver nuestro mundo más habitable y construir un nosotros heterogéneo.
2022
Oil on Canvas
One-of-a-kind Artwork
35.4 W x 27.6 H x 2 D in
Not Framed
No
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Monika Gabrys I was born in Cracow, Poland, however, since 2004 I live and represent Merida, Yucatan, Mexico. I am binational since 2009. I have a career of more than 20 years in painting and in the medium of visual arts. I have dedicated myself to painting, drawing, collage, I have experimented with engraving, contemporary textile art, installations, conceptual art and action art. As a painter I have been active since 1995, after having won first place in a local art festival FEKUSZ and I am still active, since in addition to the Master's artistic project I have just finished the other, selected and supported by the Merida Municipal Fund for the Visual Arts. My main focus is painting, although the label of the painter conflicts me, since my personal search has led me to experiment in different fields and with different media, that is, my position is flexible and open towards what is called interdisciplinary and trans art. I also have a Bachelor of Nursing degree (Institute of Human Sciences INCIH) and experience gained at the Medical Center of the Americas (CMA) and the Agustín O'Horán General Hospital, the fact that at first glance it could be seen as very abstracted from art . However, I consider it an extension of the same search that motivates me to make art, because in recent times, innumerable aspects have been opened that can be used in artistic paths. Painting seems to be a relic of the past, and yet it is still alive, because the act of painting accompanies the human being practically from the beginning. That is why my idea of two-dimensional painting and art oscillates around the questions —which are in accordance with my line of research—: How could painting, located in time and space, be reconciled with the accelerated and paradoxical transformations of contemporary world? How to figure and represent —through painting— our situation in space and time inevitably linking to the computerized and globally interconnected world-space? Because, definitely, we are facing a complex world, with an excess of information, images, screens, references and, now, a post-pandemic world. By choosing this medium (painting) I place myself again in "between” (which is part of my research). I am currently counter-producing with the collective "Des-obra".
Artist featured by Saatchi Art in a collection
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