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PST Painting

Patrick Harris

United States

Painting, Oil on Canvas

Size: 60 W x 84 H x 2 D in

Ships in a Crate

$20,000

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2373 Views

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This diptych represents the Pacific time zone in the continental United States. It is one of four paintings in a set of works depicting the standard time zones.

Year Created:

2016

Subject:
Medium:

Multi-paneled Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

60 W x 84 H x 2 D in

Number of Panels:

2

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Images in some of the paintings are partially obscured by bands of color, producing a louvered visual field - similar to mist effects employed in scrolls by Wang Hui in 1698. Likewise, these bands of color resemble the national flag of Greece - flipped & flopped. The paintings reference video games, carnival, television, headaches, nature, disasters, music, charms, signs & symbols. These are familiar, commonplace images. Many recent works are diptychs. One set of four paintings seemingly depict four time zones in the continental United States. A fifth diptych of clocks is painted in fluorescent color and based on the Bulletin of the Atomic Scientists doomsday clock - created by J. Robert Oppenheimer, Albert Einstein & Eugene Rabinowitch in 1947. A second set of five works in oil, enamel and fluorescent enamel depict the Cyclone rollercoaster on Coney Island in New York city. These ‘cyclones’ are named after five major hurricanes: Katrina, Harvey, Irma, Sandy, and Maria. Prior to 1998, the work was brightly colored and highly impasted, often using a cinematic arrangement by placing multiple canvases in sequential order - like a zoetrope. After 1998, I shifted the paintings’ material substance from thick to thin. The ‘thin’ works explored preternatural elements in our daily lives and focused on incidents of spiritual and intellectual compression. Originally from Sioux Falls, South Dakota Harris has lived and worked in Santa Fe since 1981. His paintings have been exhibited throughout the United States and are represented in a number of private collections including the Sahara Hotel & Casino, Las Vegas and the Graham Collection, Albuquerque. An environmental and political activist, he has been painting since kindergarten. He was employed as an exhibit specialist in a number of Santa Fe galleries and served for seventeen years as Chair of the Department of Fine Art at the University of New Mexico-Los Alamos. Harris has received several awards: a Pollock Krasner Grant, the Bobbye Straight Faculty Initiative Award, a United States Artists USA Project Grant, and an F.O. Butler Award for Excellence in Education. His work has been featured in numerous publications and is included in Contemporary Art In New Mexico by Jan Adlmann and Barbara McIntyre.

Artist Recognition
Artist featured in a collection

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