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detail (close-up artwork) art by Nancy Marisa Arlt
Transformation is a process that sometimes needs destruction to reach its full potential.
As a matter of fact I love to experiment with that destructive element. There is a certain beauty in decay that I want to give attention. Provoking a process of aging with oxidization is one method to artificially imply a past. The oxidization makes this process visible, like a time indicator emphasising the fugitive nature of all materia.
With its puristic and geometric character, the painting itself states a counterpoint to the amorph traces and marks. I used a low-key almost neutral color range (the oxidized iron and golden color excluded) but when the light hits the painting from a certain angle it glows. To intensify that effect I also worked with interference colors. This painting definitive has a day and a night alter ego ;-)
The artwork is ready to hang.
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Passing Painting

Nancy Marisa Arlt

Germany

Painting, Acrylic on Wood

Size: 15.7 W x 15.7 H x 1.3 D in

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$940

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About The Artwork

Transformation is a process that sometimes needs destruction to reach its full potential. As a matter of fact I love to experiment with that destructive element. There is a certain beauty in decay that I want to give attention. Provoking a process of aging with oxidization is one method to artificially imply a past. The oxidization makes this process visible, like a time indicator emphasising the fugitive nature of all materia. With its puristic and geometric character, the painting itself states a counterpoint to the amorph traces and marks. I used a low-key almost neutral color range (the oxidized iron and golden color excluded) but when the light hits the painting from a certain angle it glows. To intensify that effect I also worked with interference colors. This painting definitive has a day and a night alter ego ;-) The artwork is ready to hang.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:15.7 W x 15.7 H x 1.3 D in

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Born 1978 in Berlin/Germany, I was raised in a city, divided by a wall and having experienced both sides before and after the fall of the Berlin wall, my art is heavily influenced by the city‘s new-found sense of freedom, a spirit of unlimited possibilities and a feeling of former restrictions rupturing, leading to limitlessness. And that‘s exactly what art is to me, limitlessness, disturbance, feeling. I want people to see what they feel by breaking open familiar images into the abstract to provoke inner emotions. My paintings are expeditions into inner landscapes, creating an echo inside the observer, reflecting a part of their identity.

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