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206 Views
5
View In My Room
Painting, Oil on Paper
Size: 36.6 W x 16.1 H x 0.1 D in
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206 Views
5
Featured in the Catalog
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This triptych has evolved from my earlier colorfield work, though now with perspective. It goes back to my earlier urban landscapes from around 2010, though now more minimal. When viewing this work you feel as though you are looking, and trying to see what lays ahead. What’s going on ahead of you…., asking, where are we going? Oil paint and gold leaf on Arches 100% cotton paper. This work will require a frame. Each painting individually measures 31 x 41 cm.
2024
Oil on Paper
One-of-a-kind Artwork
36.6 W x 16.1 H x 0.1 D in
3
Not Framed
No
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BIOGRAPHY: Joyce was born in Ontario Canada and presently resides in Rome Italy. She attended a high school for the visual arts in Ottawa and then the Ontario College of Art and Design, and York University in Toronto. For the last twenty five years she has taught International Baccalaureate studio art at the American Overseas School of Rome. Retiring in September 2019, she now works full time in her studio in Rome Italy. ARTIST STATEMENT : The City Deconstructed: Finally, after years of concentrating on the walking figure in the urban environment, I have evolved to abstract expressionism. The early paintings were of Toronto skylines, where I grew up, and Rome, where I have lived for the past thirty years. Previously my work reflected life with in the city, particularly contemplating the piazza and the streets. Buildings became imaginary, constructed from masking tape, to create the grid work. The walking contemporary figures, I found in magazines and newspapers. Finally, as the figure became less important, I started to concentrate on the background...an imaginary minute section of the environment. Confusion, noise, traffic, buildings, graffiti, and the chaotic atmosphere of the urban city are my inspiration. Jackson Pollock and the action painters and Mark Rothko of the color field painters of the 1950’s are at the base of my work. All works are in oil paint or watercolor. I worked intensely with watercolor for years and it is evident in the way I use oil paint. I like transparency, and to leave evidence of each layer or day's work, either by masking or leaving areas and not painting over them, thus creating the illusion of depth. The actual physical work is about showing depth through building layers of transparent paint, and aggressive movement of brushwork. The first layers, the chaos of the city, is the action painting. The color field painting is what goes on top of the action painting representing the order of the city.
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Handpicked to show at The Other Art Fair presented by Saatchi Art in Virtual, Virtual, London
Artist featured by Saatchi Art in a collection
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