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Planet Wildflowers Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 20 W x 20 H x 0.5 D in

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About The Artwork

The hills were alive with wildflowers And I was as wild even wilder than they For at least I could run they just died in the sun And I refused to just wither in place. Just a wild mountain rose needing freedom to grow So I ran fearing up where I'd go When a flower grows wild it can always survive Wildflowers don't care where they grow. And the flowers I knew in the fields where I grew Were content to be lost in the crowd They were common and close, I had no room for growth And I wanted so much to branch out. So I uprooted myself from home ground and left Took my dreams and I took to the road When a flower grows wild it can always survive Wildflowers don't care where they grow. --- Instrumental --- I grew up fast and wild and I never felt right In a garden so different from me I just never belonged, I just longed to be gone So the garden one day set me free. I hitched a ride with the wind and since he was my friend I just let him decide where we'd go When a flower grows wild it can always survive Wildflowers don't care where they grow. Just a wild mountain rose seeking mist'ries untold No regret for the path that I chose When a flower grows wild it can always survive Wildflowers don't care where they grow. Mhm hm hm mhm... Wildflowers don't care where they grow… ‘Wildflowers’ by Dolly Parton, Emmylou Harris, and Linda Ronstadt Songwriter: Dolly Parton "Wildflowers" is a song written by Dolly Parton, which was included on the Grammy-winning, multi-Platinum 1987 album Trio with Emmylou Harris and Linda Ronstadt. In the song, Parton talks about being restless and wanting to branch out, using wildflowers as a metaphor, concluding that "wildflowers don't care where they grow". The original recording featured an autoharp, acoustic guitar (played by Harris) and fiddle, and was arranged to sound like an old fashioned Appalachian folk song. It was the fourth single released from the Trio album, and reached #6 on the Billboard Hot Country Singles & Tracks chart in July 1988. In 2008, the recording was played at a reception by the Texas State Democratic Party, honoring former First Lady Lady Bird Johnson. Johnson's love of wild flowers was well known, and she had long championed the planting of them along the U.S. highways. Trio is the first collaborative studio album by Dolly Parton, Emmylou Harris and Linda Ronstadt. It was released on March 2, 1987, by Warner Bros. Records. The album has sold over 4 million copies worldwide and has also received several accolades. Longtime friends and admirers of one another, Parton, Harris, and Ronstadt first attempted to record an album together in the mid-1970s, but scheduling conflicts and other difficulties (including the fact that the three women all recorded for different record labels) prevented its release. Some of the fruits of those aborted 1970s recording sessions did make it onto the women's respective solo albums. "Mr. Sandman" and "Evangeline" appeared on Harris' album Evangeline and Parton's "My Blue Tears" was included on Ronstadt's 1982 album Get Closer. Rodney Crowell's "Even Cowgirls Get the Blues" was on Harris' Blue Kentucky Girl album. "Palms of Victory," another track from the aborted 1970s sessions, was included on the Harris' 2007 box set Songbird: Rare Tracks and Forgotten Gems. Parton and Ronstadt also recorded a version of the traditional ballad "I Never Will Marry", which appeared on Ronstadt's 1977 Simple Dreams album, though that was recorded separately from these sessions, as was Ronstadt's cover of Hank Williams' "I Can't Help It (If I'm Still in Love with You)", from Heart Like a Wheel, on which she was joined by Harris. During this time, Ronstadt and Harris also covered a number of Parton's compositions — Harris covered "Coat of Many Colors" and "To Daddy", and Ronstadt recorded "I Will Always Love You"—for inclusion on their various solo albums during the mid- to late-1970s. Parton, in turn, covered Harris' "Boulder to Birmingham", including it on her 1976 album, All I Can Do. Finally, a collaboration effort came to fruition, being produced by George Massenburg. When Trio was released in March 1987, it spawned four hit singles–including a remake of Phil Spector's 1958 hit by the Teddy Bears, "To Know Him Is to Love Him”. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:20 W x 20 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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