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"Récifs coralliens" Painting

Alix Debleue

France

Painting, Tempera on Paper

Size: 25.6 W x 19.7 H x 0.4 D in

Ships in a Tube

SOLD
Originally listed for $190

138 Views

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ABOUT THE ARTWORK
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This painting is the first of a 25 set of paintings talking about Seascape. Each one is made with the same 25 hues. This set is inspired by the shades I could observe in a tropical island, seeing a lot of colors, mostly depending on the place we went, but also depending on the weather and the light....

Year Created:

2018

Subject:
Mediums:

Painting, Tempera on Paper

Rarity:

One-of-a-kind Artwork

Size:

25.6 W x 19.7 H x 0.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

I'm a self taught artist passionate about colours, ceramics, corals and marine creatures. I chose to mix both in my paintings by imaging submarine landscape through colors and abstracts shapes. I chose abstract art because I’ve always been fascinate by the strenght who emanates from an abstraction. I can write my own language, and I manage to do it thanks to hues. Medium is also important in my picture. I work with different techniques : tempera and embroideries. The mainly medium I use is tempera. I do my painting by my self with some pigments and egg yolk. It’s the ancestor of oil painting. It may appear as an outdated process but it’s how I obtain unique colors, looking at how painters used to make their palettes in the past. That’s why I like tempera. it's quite the same logic with embroideries. The gesture is so important. Using it in an abstract way embodies to me the mix between tradition and modernism. This dualism is also confirmed by use of acrylic at the same time which is the beacon paint of 20th/21st centuries. Using those two medium is a kind of historic outward which complete my work about History. So, let’s enjoy traveling with me into the fascinating evocation power of the colours between abstract submarine landscapes. GOOD TO KNOW : I chose the title of my painting by assembling the weight of the pigments I used and the references of the threads I embroidered. This gives me geographic coordinates : the lattitude is determined by the pigments, whereas the longitude by the threads.

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