view additional image 1
View in a Room ArtworkView in a Room Background
This work is created on a round canvas with a diameter of 50 cm. It is an embroidery made with natural raffia and a wool needle. While I was creating this work, an image of a high wave and a bright sun was imprinted in my mind and they influence these shapes.

This work is part of the Raphia embroidery series.
It is inspired by quantum physics and oriental philosophies, as well by Fontana and Maria Lai.

About Raphia embroidery series...
Raffia is a strong fiber that is obtained from the leaves of trees with a robust trunk, even 20 meters high. The raffia plant is a palm, its natural habitat is the tropical and subtropical of East Africa. The known species are 20, and all are characterized by their ability to flower and bear fruit only once in their life, and then die. However, once the stem has dried up, the plant multiplies again.
In my artistic works, it is important to use organic and everyday materials coming directly from Mother Nature, which are able to preserve themselves over time. In this case raffia, which has characteristics similar to those of straw, is a material that has always been part of my daily life because it is used in agriculture and gardening that my family has always taken care of. (Its characteristics have recently been re-evaluated also by green building for its anti-seismic resistance and high resistance to fire).
The raffia embroideries of my works closely resemble those of straw which have very ancient origins in the world. Between the 15th and 18th centuries, it was a very common technique as an imitation of gold embroidery, used to enrich the sumptuous clothing of religious statues with the purpose of enhancing the blessing and protection of crops. Later it was used as a technique to decorate clothes, shoes and accessories of noble families.
The activity of embroidery has assumed a certain importance within my artistic research. It intrinsically preserves its noble and spiritual origins and also i have found that embroidering is a meditative process for me. The whole focus is the action of embroidering itself, which brings the mind back into a continuous state of presence.
The landscapes are reminiscent of natural places without a precise location, consequently enclosing the possibility of being in any place or nowhere. They're sons, like everyone, of the infinite space-time.
This work is created on a round canvas with a diameter of 50 cm. It is an embroidery made with natural raffia and a wool needle. While I was creating this work, an image of a high wave and a bright sun was imprinted in my mind and they influence these shapes.

This work is part of the Raphia embroidery series.
It is inspired by quantum physics and oriental philosophies, as well by Fontana and Maria Lai.

About Raphia embroidery series...
Raffia is a strong fiber that is obtained from the leaves of trees with a robust trunk, even 20 meters high. The raffia plant is a palm, its natural habitat is the tropical and subtropical of East Africa. The known species are 20, and all are characterized by their ability to flower and bear fruit only once in their life, and then die. However, once the stem has dried up, the plant multiplies again.
In my artistic works, it is important to use organic and everyday materials coming directly from Mother Nature, which are able to preserve themselves over time. In this case raffia, which has characteristics similar to those of straw, is a material that has always been part of my daily life because it is used in agriculture and gardening that my family has always taken care of. (Its characteristics have recently been re-evaluated also by green building for its anti-seismic resistance and high resistance to fire).
The raffia embroideries of my works closely resemble those of straw which have very ancient origins in the world. Between the 15th and 18th centuries, it was a very common technique as an imitation of gold embroidery, used to enrich the sumptuous clothing of religious statues with the purpose of enhancing the blessing and protection of crops. Later it was used as a technique to decorate clothes, shoes and accessories of noble families.
The activity of embroidery has assumed a certain importance within my artistic research. It intrinsically preserves its noble and spiritual origins and also i have found that embroidering is a meditative process for me. The whole focus is the action of embroidering itself, which brings the mind back into a continuous state of presence.
The landscapes are reminiscent of natural places without a precise location, consequently enclosing the possibility of being in any place or nowhere. They're sons, like everyone, of the infinite space-time.
This work is created on a round canvas with a diameter of 50 cm. It is an embroidery made with natural raffia and a wool needle. While I was creating this work, an image of a high wave and a bright sun was imprinted in my mind and they influence these shapes.

This work is part of the Raphia embroidery series.
It is inspired by quantum physics and oriental philosophies, as well by Fontana and Maria Lai.

About Raphia embroidery series...
Raffia is a strong fiber that is obtained from the leaves of trees with a robust trunk, even 20 meters high. The raffia plant is a palm, its natural habitat is the tropical and subtropical of East Africa. The known species are 20, and all are characterized by their ability to flower and bear fruit only once in their life, and then die. However, once the stem has dried up, the plant multiplies again.
In my artistic works, it is important to use organic and everyday materials coming directly from Mother Nature, which are able to preserve themselves over time. In this case raffia, which has characteristics similar to those of straw, is a material that has always been part of my daily life because it is used in agriculture and gardening that my family has always taken care of. (Its characteristics have recently been re-evaluated also by green building for its anti-seismic resistance and high resistance to fire).
The raffia embroideries of my works closely resemble those of straw which have very ancient origins in the world. Between the 15th and 18th centuries, it was a very common technique as an imitation of gold embroidery, used to enrich the sumptuous clothing of religious statues with the purpose of enhancing the blessing and protection of crops. Later it was used as a technique to decorate clothes, shoes and accessories of noble families.
The activity of embroidery has assumed a certain importance within my artistic research. It intrinsically preserves its noble and spiritual origins and also i have found that embroidering is a meditative process for me. The whole focus is the action of embroidering itself, which brings the mind back into a continuous state of presence.
The landscapes are reminiscent of natural places without a precise location, consequently enclosing the possibility of being in any place or nowhere. They're sons, like everyone, of the infinite space-time.
This work is created on a round canvas with a diameter of 50 cm. It is an embroidery made with natural raffia and a wool needle. While I was creating this work, an image of a high wave and a bright sun was imprinted in my mind and they influence these shapes.

This work is part of the Raphia embroidery series.
It is inspired by quantum physics and oriental philosophies, as well by Fontana and Maria Lai.

About Raphia embroidery series...
Raffia is a strong fiber that is obtained from the leaves of trees with a robust trunk, even 20 meters high. The raffia plant is a palm, its natural habitat is the tropical and subtropical of East Africa. The known species are 20, and all are characterized by their ability to flower and bear fruit only once in their life, and then die. However, once the stem has dried up, the plant multiplies again.
In my artistic works, it is important to use organic and everyday materials coming directly from Mother Nature, which are able to preserve themselves over time. In this case raffia, which has characteristics similar to those of straw, is a material that has always been part of my daily life because it is used in agriculture and gardening that my family has always taken care of. (Its characteristics have recently been re-evaluated also by green building for its anti-seismic resistance and high resistance to fire).
The raffia embroideries of my works closely resemble those of straw which have very ancient origins in the world. Between the 15th and 18th centuries, it was a very common technique as an imitation of gold embroidery, used to enrich the sumptuous clothing of religious statues with the purpose of enhancing the blessing and protection of crops. Later it was used as a technique to decorate clothes, shoes and accessories of noble families.
The activity of embroidery has assumed a certain importance within my artistic research. It intrinsically preserves its noble and spiritual origins and also i have found that embroidering is a meditative process for me. The whole focus is the action of embroidering itself, which brings the mind back into a continuous state of presence.
The landscapes are reminiscent of natural places without a precise location, consequently enclosing the possibility of being in any place or nowhere. They're sons, like everyone, of the infinite space-time.
88 Views
100

VIEW IN MY ROOM

Raphia embroidery 7 Painting

Manuela Mirai

Italy

Painting, Raffia on Canvas

Size: 19.7 W x 19.7 H x 0.8 D in

Ships in a Box

info-circle
$940USD

check Shipping included

check 14-day satisfaction guarantee

info-circle
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
88 Views
100

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This work is created on a round canvas with a diameter of 50 cm. It is an embroidery made with natural raffia and a wool needle. While I was creating this work, an image of a high wave and a bright sun was imprinted in my mind and they influence these shapes. This work is part of the Raphia embroidery series. It is inspired by quantum physics and oriental philosophies, as well by Fontana and Maria Lai. About Raphia embroidery series... Raffia is a strong fiber that is obtained from the leaves of trees with a robust trunk, even 20 meters high. The raffia plant is a palm, its natural habitat is the tropical and subtropical of East Africa. The known species are 20, and all are characterized by their ability to flower and bear fruit only once in their life, and then die. However, once the stem has dried up, the plant multiplies again. In my artistic works, it is important to use organic and everyday materials coming directly from Mother Nature, which are able to preserve themselves over time. In this case raffia, which has characteristics similar to those of straw, is a material that has always been part of my daily life because it is used in agriculture and gardening that my family has always taken care of. (Its characteristics have recently been re-evaluated also by green building for its anti-seismic resistance and high resistance to fire). The raffia embroideries of my works closely resemble those of straw which have very ancient origins in the world. Between the 15th and 18th centuries, it was a very common technique as an imitation of gold embroidery, used to enrich the sumptuous clothing of religious statues with the purpose of enhancing the blessing and protection of crops. Later it was used as a technique to decorate clothes, shoes and accessories of noble families. The activity of embroidery has assumed a certain importance within my artistic research. It intrinsically preserves its noble and spiritual origins and also i have found that embroidering is a meditative process for me. The whole focus is the action of embroidering itself, which brings the mind back into a continuous state of presence. The landscapes are reminiscent of natural places without a precise location, consequently enclosing the possibility of being in any place or nowhere. They're sons, like everyone, of the infinite space-time.

Details & Dimensions

Painting:Raffia on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Manuela Mirai lives and works in Sardinia, Italy. Her artistic research is focused on studies of color, matter and space. She is inspired by the nature of the place where she was born, and through her work she investigates the relationship between human being, nature and divine. In 2019, she completed her Bachelor Degree in painting and Visual Art at the Academy of Fine Arts in Sassari. She has taken part in several exhibitions, including the Cà Pesaro Gallery in Venice, the Giorgio Amendola Foundation in Turin, the MAS.EDU Museum in Sassari and the Gavino Ballero Theatre in Alghero. Manuela works mainly with painting, drawing and textiles.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support