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Rebirth Painting

Nikola Durdevic

Croatia

Painting, Acrylic on Paper

Size: 25.6 W x 19.7 H x 0.1 D in

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$903

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This painting is part of my cycle "Language Of Symbols". Symbols are all around us. They shape and influence our lives, often without us even being aware of it. In this cycle, I have slightly moved away from my early stage of abstract expressionism, so this painting is more a combination of symboli...

Year Created:

2024

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

25.6 W x 19.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Croatia.

Customs:

Shipments from Croatia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Nikola Durdevic and I am fine art painter. I live in Zagreb, capital of Croatia (Europe). My painting emerges from an inner space — a zone where memory, emotion, and archetypal imagery overlap. I do not begin with a motif, but with a state of being. For me, a painting is not a representation of the external world, but a trace of an inner process — a record of a moment where the conscious and the unconscious meet. I work at the threshold between abstraction and figuration. The figure in my work often appears fragmented, as a trace or an echo, never as a fixed identity. It functions as a psychological or spiritual force rather than a portrait. The body becomes a sign, not an object; the face a field of tension, not description. The painting process is intuitive, gestural, and physical. Gesture, layering, accident, and control coexist. I am not interested in closing meaning, but in opening it — allowing space for the viewer to recognize their own inner states, transitions, and fractures within the image. Thematically, my work explores identity, time, transformation, and the invisible forces shaping human experience. I am drawn to liminal states — between dream and waking, presence and disappearance, matter and the unseen. Painting, for me, is a meeting place — between artist and viewer, and between different layers of reality.

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