Reflections 1 Painting

ARTIST STATEMENT As an artist I love the harmony, balance and symmetry that I find in nature all of which contribute to a great beauty. I can be captivated by the light passing through the leaves of a tree creating a subdued light that partially illuminates some flowers, or how the sun's rays frolic when they move on different glass bodies that give rise to a myriad of shapes, colours, reflections and shadows. I can be entranced by a flower, the eyes of a child or the beautiful figure of a woman. For me, everything in nature: forms, light and colour is like an open book that connects me directly with the Creator, creating in me feelings of gratitude and reverence pushing me to create art. My source of inspiration My inspiration comes from many sources. I want my art to be beautiful also have great power of seduction and so I resort to realism carried to its highest expression. My works must sensitize, transmit emotions and feelings ... even fascinate. Therefore I use symbolic elements, elements such as transparency of the glass, the hardness of marble, flower and fresh fruit sprinkled with raindrops, the red rose symbol of passionate love, etc. In my opinion, the beauty of the sun reflections on glass objects is only comparable to the charm of the face of a beautiful woman and the beauty of the flowers ... so, in many of my works I decide to combine two or three of these elements creating delicate, attractive, incredibly beautiful and full of symbolism compositions. Creative process When I think about performing a new work I can start from a previous idea or emotion without having very clear what the final result will be. As the idea matures it becomes clearer in my mind. Then I take my own photographs with models for the realization of the work. Each artwork can be based on one or more of these photographs. At other times the reverse happens, is a pre-image that gives me something, an emotion or a feeling that leads me to create an artwork from that picture. The technique I do the under painting with acrylics and the over painting with oil glazes. Once I have prepared the canvas and the drawing is transferred, depending on the subject I have to paint I apply a monochrome grisaille or a verdaccio. I do it with modern acrylic colours with excellent light fastness. I continue to work the under painting working in layers with acrylic colours.