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View in a Room ArtworkView in a Room Background
Work from the beginning of my pictorical research.

Should the work speak for itself, without a title or text that guides the spectator's perception, or is this a chimera?

In this series, I try to produce without having a reason to inspire myself, letting the process lead me by itself.
Monotype and acrylic on plywood.

The borders are painted, no frame necessary and ready to hang.
Shipped in a carboard box.
Edge detail
Work from the beginning of my pictorical research.

Should the work speak for itself, without a title or text that guides the spectator's perception, or is this a chimera?

In this series, I try to produce without having a reason to inspire myself, letting the process lead me by itself.
Monotype and acrylic on plywood.

The borders are painted, no frame necessary and ready to hang.
Shipped in a carboard box.
close-up detail
close-up detail

704 Views

8

View In My Room

Res non verba Painting

Claudio Boczon

Brazil

Painting, Acrylic on Wood

Size: 15.7 W x 43.3 H x 2 D in

Ships in a Box

$620

Shipping included

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704 Views

8

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Work from the beginning of my pictorical research. Should the work speak for itself, without a title or text that guides the spectator's perception, or is this a chimera? In this series, I try to produce without having a reason to inspire myself, letting the process lead me by itself. Monotype and acrylic on plywood. The borders are painted, no frame necessary and ready to hang. Shipped in a carboard box.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

15.7 W x 43.3 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

What directed towards his work is a game of contrasts and physicality between overlap and transparency, seeking to hide and reveal in equal measures. This stratification process aims to show the corporeality of the two-dimensional work, highlighting each error and new direction taken, in order to remind us of the painting process. What drives his research is the curiosity to find the beauty hidden in everyday life, in the supports and pictorial material, and bring it to the surface, so that the viewer questions and appreciates aspects for which he, normally, would not give importance. His research and production are strongly influenced by Tachismo and Arte Povera, by the reuse and recycling of materials, ideas and concepts. Often, when using his own older works, reconstructing and making new collages from them, he is recycling both the physical item and the concepts behind these works. Began his artistic research in the Atelier of Painting of the Museum Alfredo Andersen, under the direction of Ronald Yves Simon, also attended workshops in painting, printmaking and photography . Participates, since 1999, of Salons of Art and Exhibitions Collectives and Individuals, being awarded six times.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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