34 Views
3
View In My Room
Painting, Encaustic on Wood
Size: 36.2 W x 16.5 H x 0.8 D in
Ships in a Box
34 Views
3
Showed at the The Other Art Fair
Artist featured in a collection
This triptych was inspired by a mood - a feeling of meditative calm that comes from complete immersion in nature. It shows glimpses of azure ocean through wild grasses along untamed coastline in a beautiful region of Australia known as the Northern Rivers. The title, 'Resting in Beauty' was the name given to a meditation on nature by a local yogi in summer 2024. Creating this work was a form of meditation in itself. It involves a long and repetitive process of burning layer upon layer of beeswax, resin and raw pigments into a wooden substrate, with each layer scraped back and then polished to create a dreamy, ethereal surface. The ancient technique involves the use a live flame to bond each layer to the one below, requiring total focus and immersion in the moment. The finished piece has a dreamy, restful mood. The textured, reflective surface brings light into the interior and a feeling of bringing the outdoors indoors. It is prepped with picture hardware, ready to hang, and does not need to be framed (the unique edges are part of the artwork). The artist, Tanya Ogilvie-White, is well known for her ethereal triptychs, which are in public and private collections around the world.
2024
Encaustic on Wood
One-of-a-kind Artwork
36.2 W x 16.5 H x 0.8 D in
3
Not Framed
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Australia.
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Australia
Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).
Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney
Artist featured by Saatchi Art in a collection
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