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Painting, Acrylic on Other
Size: 21.3 W x 31.5 H x 0.2 D in
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$712
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126 Views
2
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ABOUT THE ARTWORK
A nude female figure painted loosely on a Studland cream board which has a fine surface with good absorption. The mannered style of this figure with this type of board lends itself to a free style of painting. The work was originally painted in1983 and has had some revision in 2022. I apply the acrylic paint in a liquid form as the board absorbs the paint, so there is no need to worry about breaking down the paint binder. I use artists large hogs hair brushes to manipulate the work to give it a robust rendition. This work is on a Studland board, no varnish finish is applied because of its absorbency. So the painting should be framed with a mount and under glass. I recommend at least a 60mm wide frame, narrow frames on large paintings do not sit well and have a tendency to warp.
Original Created:
1983
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Other
Original:
One-of-a-kind Artwork
Size:
21.3 W x 31.5 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
No
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Nicholas Robertson
United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
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