Skip to Main Content

view additional image 1
View in a Room ArtworkView in a Room Background
*This painting is in an artist made Redwood frame*

Five years ago necessity was truly the mother of invention in my studio, then based in Arizona. With a desire to move beyond figurative work into large-scale abstractions — and a wallet that didn’t allow for those expansions, I began sewing canvases from drop cloth, found pieces of transparent silk brocades and burlap sacks (once filled with alfalfa or coffee), which I further embellished with bolts of white and indigo denim that I found in Tempe fabric stores. I had this new realization that I was piecing myself together. 

From there I create a second composition on top of my stitched canvas with a foundation for bold marks of color that are further adulterated with tube squeezes of black oil or acrylic. Referencing everything from the emotional abstractions of Willem De Kooning to the primitivist scrawls of Jean Michel Basquiat to the expressionistic flurries of Arshile Gorky, my “inorganic forms” are constantly exploring new depths of texture and symbolism.
*This painting is in an artist made Redwood frame*

Five years ago necessity was truly the mother of invention in my studio, then based in Arizona. With a desire to move beyond figurative work into large-scale abstractions — and a wallet that didn’t allow for those expansions, I began sewing canvases from drop cloth, found pieces of transparent silk brocades and burlap sacks (once filled with alfalfa or coffee), which I further embellished with bolts of white and indigo denim that I found in Tempe fabric stores. I had this new realization that I was piecing myself together. 

From there I create a second composition on top of my stitched canvas with a foundation for bold marks of color that are further adulterated with tube squeezes of black oil or acrylic. Referencing everything from the emotional abstractions of Willem De Kooning to the primitivist scrawls of Jean Michel Basquiat to the expressionistic flurries of Arshile Gorky, my “inorganic forms” are constantly exploring new depths of texture and symbolism.
*This painting is in an artist made Redwood frame*

Five years ago necessity was truly the mother of invention in my studio, then based in Arizona. With a desire to move beyond figurative work into large-scale abstractions — and a wallet that didn’t allow for those expansions, I began sewing canvases from drop cloth, found pieces of transparent silk brocades and burlap sacks (once filled with alfalfa or coffee), which I further embellished with bolts of white and indigo denim that I found in Tempe fabric stores. I had this new realization that I was piecing myself together. 

From there I create a second composition on top of my stitched canvas with a foundation for bold marks of color that are further adulterated with tube squeezes of black oil or acrylic. Referencing everything from the emotional abstractions of Willem De Kooning to the primitivist scrawls of Jean Michel Basquiat to the expressionistic flurries of Arshile Gorky, my “inorganic forms” are constantly exploring new depths of texture and symbolism.
*This painting is in an artist made Redwood frame*

Five years ago necessity was truly the mother of invention in my studio, then based in Arizona. With a desire to move beyond figurative work into large-scale abstractions — and a wallet that didn’t allow for those expansions, I began sewing canvases from drop cloth, found pieces of transparent silk brocades and burlap sacks (once filled with alfalfa or coffee), which I further embellished with bolts of white and indigo denim that I found in Tempe fabric stores. I had this new realization that I was piecing myself together. 

From there I create a second composition on top of my stitched canvas with a foundation for bold marks of color that are further adulterated with tube squeezes of black oil or acrylic. Referencing everything from the emotional abstractions of Willem De Kooning to the primitivist scrawls of Jean Michel Basquiat to the expressionistic flurries of Arshile Gorky, my “inorganic forms” are constantly exploring new depths of texture and symbolism.

1672 Views

90

View In My Room

"Return to Dimension X, by Andy Dixon" Painting

Jonathan Cheatwood

United States

Painting, Oil on Canvas

Size: 104.1 W x 132.1 H x 5.1 D cm

Ships in a Crate

SOLD
Originally listed for €6,282

1672 Views

90

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

*This painting is in an artist made Redwood frame* Five years ago necessity was truly the mother of invention in my studio, then based in Arizona. With a desire to move beyond figurative work into large-scale abstractions — and a wallet that didn’t allow for those expansions, I began sewing canvase...

Year Created:

2018

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

104.1 W x 132.1 H x 5.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

Playing a strategic game upon the surface of his often raw, large-scale, stitched together canvases, Cheatwood plays a set of related decisions in a step-by-step rejoinder to each possible move. The working process plays out at the sewing machine, then to the studio floor then the walls and back to the floor, as the artist simultaneously moves from canvas to canvas, leaving behind the detritus of his own accidental marks, shoe prints, dropped and spilled materials, etc. so the work tracks its own history, the reality of the studio environment and the physicality of making these paintings as if he is formulating his own autobiography with fabric and canvas. With bold colors, clean lines, occasional text and raw power that all merge into a rough and ready approach, that somehow remains elegant and visually seductive, these paintings point to a positive future for the young artist

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Why Saatchi Art?

Thousands of
 
5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Global Selection of Original Art

Explore an unparalleled artwork selection from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support Emerging Artists

We pay our artists more on every sale than other galleries.

Complimentary Art Advisory

Our free art advisory service pairs you with a knowledgeable curator who will guide you through a seamless, stress-free process to find artwork that fits your style and needs.

Work with a curator

Complimentary Art Advisory

Curator - Erin Remington

Erin Remington, Curatorial Director